Doctor Who (Show)

The Sci-Fi TV programme, Doctor Who, began in 1963 with William Hartnell playing the role. Over one million charachters have died. Learn about all the doctors below, and to see all the episodes click here.

The First Doctor (1963 - 66)
Played by William Hartnell, he was the Doctor for the first three and a bit seasons, before handing the role to Patrick Troughton.

He played an old, grumpy Doctor who didn't trust his companions

The Second Doctor (1966-69)
Taking over the role, Patrick Troughton performed as a slightly younger, slightly odder Doctor who had many fun adventures with his companions. He was very silly and childlike, but could get extremely angry.

The Third Doctor (1970-74)
Jon Pertwee became a Doctor, exiled to Earth by his people. He worked alongside U.N.I.T whilst tryig to fix his TARDIS. He finally managed it, but soon regenerated...

The Fourth Doctor (1974-81)
Tom Baker has played the Doctor for the longest amount time...so far. A brilliant adventurer, known to be fond of Jelly babies. So much so, that the running joke is an iconic part of fans Doctor Who history, as is Tom Baker's Doctor.

The Fifth Doctor (1982-84)
The Fifth Doctor was played by Peter Davison, who for over 25 years was youngest actor ever to pay him, of course replaced by Matt Smith. Dressed for cricket with a stick of celery, this Doctor was very adventurous. he regenerated on the planet Androzani.

The Sixth Doctor (1984-86)
An arrogant Doctor, played by Colin Baker, was perfectly original to keep the series continuing. All though he only had a short time, he brought something new to the Doctor, a did the next Doctor.

The Seventh Doctor (1987-89,1996)
Played by Sylvester McCoy, the Seventh Doctor was comical but also just as brave as all past Doctor's. Sadly, it was during his time that Doctor Who was put on hold.

The Eighth Doctor (1996)
Played by Paul McGann, he starred ina short TV movie which showed him as a new timelord who went to have lots of adventures in audios, comics and books.

The Ninth Doctor (2005)
For just one series, Christopher Eccleston appeared as a very depressed Doctor who had lost his people in a huge war with his enemy. He brought the show back, but left quickly and someone else took the role.

The Tenth Doctor (2005-10)
One of the most popular Doctor's, David Tennant played the role as a fun, fast and fantastic Doctor. Playing the character for three series and and a load of specials, all Whofans were upset when he backed out.

The Eleventh Doctor (2010-13)
Matt Smith has brought something new to the role, and still amazes fans as the Doctor.

unmade stories
First Doctor

[edit] Nothing at the End of the Lane/The Giants
The first serial of the series was originally to be written by C. E. Webber,[1] [2] [3] and would concern the four main characters (at that point named as the Doctor, Cliff, Lola, and Biddy) being shrunk to a "miniature size" and attacked by giant animals. The episode would have revealed that the Doctor had escaped from "his own galaxy" in the year 5733, seeking a perfect society in the past, and that he was pursued by agents from his own time who sought to prevent him from stopping their society from coming into being.[4] The story was rejected in June 1963 on the grounds that the story was too thin on characterisation and that the giant monsters would be clichéd and too expensive to produce. Much of the setup was retained for An Unearthly Child, though the details about the Doctor's home were removed. The story's premise was reused for a submission by Robert Gould (later revised by Margot Bennett), The Miniscules, which was planned to be the fourth serial, but this story was dropped in January 1964.[5] The third attempt to use a miniaturisation story was accepted for the Series 2 opener, Planet of Giants.[6]

[edit] The Masters of Luxor
The Masters of Luxor was a six-part story submitted by Anthony Coburn for Series 1, but never produced, in which the Doctor faces a self-aware robot which is trying to gain a soul. It was rejected by the production team in mid-September 1963 in favour of Terry Nation's first Dalek serial.[7] Titan Books published the unused scripts in August 1992.[8] [9] Edited by John McElroy, it was the fifth in the series of Doctor Who script books, and the first to appear after a break in publication following  The Daleks  (December 1989), during which the rights to the stories were negotiated with BBC Enterprises.[10] The text of Coburn's script was amended to fit in with accepted conventions - for example, consistent use of the name "Susan", rather than the "Suzanne" and "Sue" used by Coburn.[11] Major differences in style between these scripts and the transmitted series include a religious subtext, with the Doctor clearly presented as a believer.[9] It was later adapted by Nigel Robinson for Big Finish's The Lost Stories in August 2012.

[edit] Farewell Great Macedon
Farewell Great Macedon (also known as Alexander the Great in the script's early stages) was a six-part story pitched for Series 1 and was written by Moris Farhi. In the story, the Doctor and his companions are framed for murder as part of a conspiracy to kill Alexander the Great and must pass a number of trials, including walking on hot coals, to gain the trust of his bodyguard Ptolemy.[12] [13] The script was published by Nothing at the End of the Lane in October 2009.[14] It was later adapted by Nigel Robinson for Big Finish's The Lost Stories range in November 2010.

[edit] The Fragile Yellow Arc of Fragrance
The Fragile Yellow Arc of Fragrance was the first script sent by Moris Farhi. It was one episode long and was a calling card piece never seriously pitched for production. This story never made it to the production stage, and was included in the 2009 publication of Farhi's script for Farewell Great Macedon.[14] It was later adapted by Nigel Robinson for Big Finish's The Lost Stories range in November 2010.

[edit] The Hidden Planet
The Hidden Planet by Malcolm Hulke was commissioned in December 1963 and at one point was to be the seventh serial of Series 1.<sup class="reference" id="cite_ref-bhott_lostgl_0-1">[1] <sup class="reference" id="cite_ref-sixties28_14-0">[15] The story would have concerned a planet in an orbit opposite Earth's, with a parallel but in some ways opposite society to ours; for example, women were to be the dominant sex. The original script was sent back for rewrites, and due to a pay dispute the rewrites were not made until after Susan had left the series; this necessitated further rewriting. A third submission was similarly rejected as Ian and Barbara were due to leave, and the script was dropped.<sup class="reference" id="cite_ref-bhott_lostgl_0-2">[1]

[edit] The Living World
Alan Wakeman was one of several writers contacted by David Whitaker in mid-1963.<sup class="reference" id="cite_ref-nothinglane46_15-0">[16]

[edit] The Red Fort
Commissioned in September 1963, Terry Nation had intended for his second seven-part serial to be set during the British Raj in India (probably to have been the eighth serial), but the story was ultimately abandoned as the Daleks became a success, and demand for further adventures grew.<sup class="reference" id="cite_ref-sixties28_14-1">[15] <sup class="reference" id="cite_ref-bhott_lostrz_16-0">[17]

[edit] Britain 408 AD
Written by Malcolm Hulke.<sup class="reference" id="cite_ref-sixties52_17-0">[18]

[edit] The Dark Planet
Written by Brian Hayles.<sup class="reference" id="cite_ref-nothinglane59_18-0">[19] It was later adapted by Matt Fitton for Big Finish's The Lost Stories range in September 2013.

[edit] The Face of God
Written by John Wiles.<sup class="reference" id="cite_ref-sixties57_19-0">[20]

[edit] The Hands of Aten
Written by Brian Hayles.<sup class="reference" id="cite_ref-sixties62_20-0">[21]

[edit] The New Armada
Written by David Whitaker.<sup class="reference" id="cite_ref-sixties86_21-0">[22]

[edit] The White Witch
Written by Brian Hayles.<sup class="reference" id="cite_ref-sixties62_20-1">[21]

[edit] "Untitled storyline (Lucarotti)"
Written by John Lucarotti<sup class="reference" id="cite_ref-bhott_lostunt_4-1">[5] and was planned to be about the 1857 Indian Mutiny.<sup class="Template-Fact" style="white-space: nowrap;">[citation needed]

[edit] "Untitled storyline (Lucarotti 2)"
Written by John Lucarotti<sup class="reference" id="cite_ref-bhott_lostunt_4-2">[5] and was planned to be about Leif Eriksson.<sup class="Template-Fact" style="white-space: nowrap;">[citation needed]

[edit] The Clock
Written by David Ellis.<sup class="reference" id="cite_ref-sixties93_22-0">[23]

[edit] The Evil Eye
Written by Geoffrey Orme,<sup class="reference" id="cite_ref-sixties92_23-0">[24] this story was rejected in August 1966.<sup class="reference" id="cite_ref-dwmse4_24-0">[25]

[edit] The Hearsay Machine
Written by George Kerr.<sup class="reference" id="cite_ref-sixties92_23-1">[24]

[edit] The Heavy Scent of Violence
Written by George Kerr.<sup class="reference" id="cite_ref-sixties92_23-2">[24]

[edit] The Herdsmen of Aquarius
Written by Donald Cotton,<sup class="reference" id="cite_ref-sixties92_23-3">[24] and also known as The Herdsmen of Venus,<sup class="reference" id="cite_ref-dwmse4_24-1">[25] this story would involve the Loch Ness Monster<sup class="reference" id="cite_ref-dwmse4_24-2">[25] and was under consideration in early August 1966.<sup class="reference" id="cite_ref-dwmse4_24-3">[25]

[edit] The Hounds of Time
Written by Brian Hayles.<sup class="reference" id="cite_ref-nothinglane61_25-0">[26]

[edit] The Man from the Met
Written by George Kerr.<sup class="reference" id="cite_ref-sixties92_23-4">[24]

[edit] The Nazis
Written by Brian Hayles.<sup class="reference" id="cite_ref-sixties83_26-0">[27]

[edit] The Ocean Liner
Written by David Ellis.<sup class="reference" id="cite_ref-sixties93_22-1">[23]

[edit] The People Who Couldn't Remember
Written by David Ellis & Malcolm Hulke.<sup class="reference" id="cite_ref-sixties93_22-2">[23]

[edit] Other First Doctor stories

 * The Son of Doctor Who, a story idea originated by William Hartnell<sup class="reference" id="cite_ref-bhott_lostrz_16-1">[17]
 * "Untitled American Civil War storyline", by unknown author
 * "Untitled Egyptian storyline", by Dennis Spooner
 * "Untitled The Day of the Triffids-like storyline", by Robert Gould<sup class="reference" id="cite_ref-bhott_lostunt_4-3">[5]

[edit] The Ants
Written by Roger Dixon, this story was submitted in early 1967.<sup class="reference" id="cite_ref-dwmse4d_27-0">[28]

[edit] Bar Kochbar
Written by Roger Dixon, this story was submitted in early 1967.<sup class="reference" id="cite_ref-dwmse4d_27-1">[28]

[edit] The Big Store
Written by David Ellis & Malcolm Hulke, this story was submitted on 15 November 1966<sup class="reference" id="cite_ref-dwmse4c_28-0">[29] and would involve faceless aliens infiltrating department stores as display mannequins.<sup class="reference" id="cite_ref-dwmse4c_28-1">[29] Ellis & Hulke would reuse the faceless aliens for their successful script submission The Faceless Ones.<sup class="reference" id="cite_ref-dwmse4d_27-2">[28]

[edit] The Imps
Planned as the fourth serial of Series 4,<sup class="reference" id="cite_ref-dwmse4b_29-0">[30] The Imps by William Emms was a four-part story<sup class="reference" id="cite_ref-dwmse4b_29-1">[30] concerned about a spaceship overrun by Imp-like aliens and aggressive alien vegetation.<sup class="reference" id="cite_ref-dwmse4b_29-2">[30] The script was commissioned on 17 October 1966,<sup class="reference" id="cite_ref-dwmse4b_29-3">[30] and soon had to be rewritten to accommodate new companion Jamie.<sup class="reference" id="cite_ref-dwmse4c_28-2">[29] However, due to sickness on the part of Emms,<sup class="reference" id="cite_ref-dwmse4c_28-3">[29] this took so long that further rewrites were needed to explain the loss of Ben and Polly<sup class="reference" id="cite_ref-dwmse4d_27-3">[28] and on 4 January 1967 the story was dropped.<sup class="reference" id="cite_ref-dwmse4d_27-4">[28] Emms reused elements of the story in Mission to Venus, a Choose Your Own Adventure-style story featuring the Sixth Doctor.<sup class="reference" id="cite_ref-bhott_lostgl_0-3">[1]

[edit] The King's Bedtime Story
Written by Roger Dixon, this story was submitted in early 1967.<sup class="reference" id="cite_ref-dwmse4d_27-5">[28]

[edit] The Mutant
Written by Barry Letts, this story outline, submitted around November 1966,<sup class="reference" id="cite_ref-dwmse4c_28-4">[29] would involve a race of beings undergoing a cycle of mutations.<sup class="reference" id="cite_ref-dwmse4c_28-5">[29] Letts would later, as producer, have writers Bob Baker & Dave Martin use this as the basis of their script The Mutants.

[edit] The New Machines
Written by Roger Dixon, this story was submitted in early 1967.<sup class="reference" id="cite_ref-dwmse4d_27-6">[28]

[edit] The Return of the Neanderthal
Written by Roger Dixon, this storyline was about the TARDIS being dragged beneath the sands of Terunda<sup class="reference" id="cite_ref-dwmse4d_27-7">[28] to encounter people descended from Earth's Neanderthal Man who wish to return to the Earth of 2016.<sup class="reference" id="cite_ref-dwmse4d_27-8">[28] These story elements are similar to the story arc of the Silurians, who dwell underground and wish to one day return to the surface.

[edit] The Sleepwalkers
Written by Roger Dixon, this six-part story<sup class="reference" id="cite_ref-dwmse4d_27-9">[28] was submitted on 16 January 1967.<sup class="reference" id="cite_ref-dwmse4d_27-10">[28] The story involved the TARDIS crew arriving on an Earth of the far future where a community of youth depend on the unseen Elders who dwell in the mountains.<sup class="reference" id="cite_ref-dwmse4d_27-11">[28]

[edit] Twin World
Written by Roger Dixon, this story was submitted in early 1967.<sup class="reference" id="cite_ref-dwmse4d_27-12">[28]

[edit] "Untitled storyline (Dixon)"
Written by Roger Dixon, this story was submitted in early 1967<sup class="reference" id="cite_ref-dwmse4d_27-13">[28] and is reported to have dealt with a world missing one fundamental aspect.<sup class="reference" id="cite_ref-bhott_lostunt_4-4">[5]

[edit] "Untitled storyline (Letts)"
Written by Barry Letts, this story, submitted around November 1966,<sup class="reference" id="cite_ref-dwmse4c_28-6">[29] was about a sinister organisation operating on Earth under cover of an amusement park.<sup class="reference" id="cite_ref-dwmse4c_28-7">[29] Letts later partly reused this idea as the radio adventure The Paradise of Death.

[edit] Operation Werewolf
Written by Douglas Camfield & Robert Kitts, the storyline for this six-part story<sup class="reference" id="cite_ref-dwmse4e_30-0">[31] was submitted to the production office on 18 September 1967,<sup class="reference" id="cite_ref-dwmse4e_30-1">[31] although Camfield & Kitts had developed the outline in 1965.<sup class="reference" id="cite_ref-dwmse4e_30-2">[31] The story saw the Doctor arrive in Normandy just prior to the D-Day landings.<sup class="reference" id="cite_ref-dwmse4e_30-3">[31] It would feature a plan to stop the Nazis from using a form of matter teleportation.<sup class="reference" id="cite_ref-dwmse4e_30-4">[31] Only a draft script for episode 1 would be written.<sup class="reference" id="cite_ref-dwmse4f_31-0">[32]

[edit] The Queen of Time
Written by Brian Hayles.<sup class="reference" id="cite_ref-nothinglane65_32-0">[33] It was later adapted by Catherine Harvey for Big Finish's The Lost Stories range in October 2013.

[edit] The Aliens in the Blood
Written by Robert Holmes, this story was pitched on 22 October 1968.<sup class="reference" id="cite_ref-dwmse4m_33-0">[34] The story was set in the 22nd Century and dealt with an outbreak of mutants with ESP powers.<sup class="reference" id="cite_ref-dwmse4m_33-1">[34] The plot was reused by Holmes in 1977 as the non-Doctor Who radio serial Aliens in the Mind.<sup class="Template-Fact" style="white-space: nowrap;">[citation needed]

[edit] The Dreamspinner
Written by Paul Wheeler, this four-part story<sup class="reference" id="cite_ref-dwmse4g_34-0">[35] was commissioned as a scene breakdown on 23 February 1968.<sup class="reference" id="cite_ref-dwmse4g_34-1">[35]

[edit] The Eye in Space
Written by Victor Pemberton.<sup class="reference" id="cite_ref-bhott_lostaf_11-1">[12]

[edit] The Harvesters
Written by William Emms and also known as The Vampire Planet.<sup class="reference" id="cite_ref-bhott_lostgl_0-4">[1]

[edit] The Impersonators
Written by Malcolm Hulke, this six-part story was commissioned on 5 July 1968.<sup class="reference" id="cite_ref-dwmse4j_35-0">[36] The serial was cancelled on 30 December 1968<sup class="reference" id="cite_ref-dwmse4n_36-0">[37] and its production budget allocated to The War Games, allowing that story to be expanded to 10 episodes.<sup class="reference" id="cite_ref-dwmse4m_33-2">[34]

[edit] The Laird of McCrimmon
Written by Mervyn Haisman & Henry Lincoln, this storyline was considered around mid-1968.<sup class="reference" id="cite_ref-dwmse4j_35-1">[36] The story would be set in Scotland in Jamie's ancestral home, Castle McCrimmon, where The Great Intelligence plans to use Jamie's body.<sup class="reference" id="cite_ref-dwmse4j_35-2">[36] At the end of the story Jamie would remain behind as the new laird.<sup class="reference" id="cite_ref-dwmse4j_35-3">[36]

[edit] The Lords of the Red Planet
Written by Brian Hayles, this storyline was dropped around May 1968.<sup class="reference" id="cite_ref-dwmse4h_37-0">[38] It was later adapted by John Dorney for Big Finish's The Lost Stories range in November 2013.

[edit] The Prison in Space
The Prison in Space by Dick Sharples, originally titled The Amazons,<sup class="reference" id="cite_ref-dwmse4j_35-4">[36] returned to the idea of a female-dominated planet<sup class="reference" id="cite_ref-dwm198_38-0">[39] <sup class="reference" id="cite_ref-dwm199_39-0">[40] last attempted with The Hidden Planet. The Doctor and Jamie were to be imprisoned, and Zoe was to start a sexual revolution and then be brainwashed.<sup class="Template-Fact" style="white-space: nowrap;">[citation needed] The four-part story<sup class="reference" id="cite_ref-dwmse4j_35-5">[36] was commissioned on 4 June 1968<sup class="reference" id="cite_ref-dwmse4j_35-6">[36] and was intended to inject humour into the show.<sup class="Template-Fact" style="white-space: nowrap;">[citation needed] It was to feature Jamie in drag and end with the Doctor deprogramming Zoe by smacking her bottom.<sup class="Template-Fact" style="white-space: nowrap;">[citation needed] The serial was rewritten to accommodate Frazer Hines' desire to leave by introducing a new companion named Nik,<sup class="reference" id="cite_ref-dwmse4j_35-7">[36] and again when he later decided to stay. Scripts for the first two episodes were delivered on 27 August 1968.<sup class="reference" id="cite_ref-dwmse4j_35-8">[36] The production team became unhappy with the serial, and when Sharples refused to perform further rewrites, the serial was dropped.<sup class="reference" id="cite_ref-dwmse4k_40-0">[41] The story was replaced by The Krotons.<sup class="reference" id="cite_ref-dwmse4k_40-1">[41] It was later adapted as Prison in Space by Simon Guerrier for Big Finish's The Lost Stories series in December 2010. In 2011, an illustrated scriptbook was released by Nothing at the End of the Lane.

[edit] The Rosemariners
Beginning life as The Rosacrutians,<sup class="reference" id="cite_ref-dwm211_41-0">[42] this story by Donald Tosh came about after Tosh contacted the production staff in early 1968 to see if they would be interested in him pitching a script.<sup class="reference" id="cite_ref-dwm210_42-0">[43] Initial discussion saw the story begin as a story featuring Jamie and Victoria,<sup class="reference" id="cite_ref-dwm210_42-1">[43] but by the time Tosh delivered the first materials for the story Patrick Troughton had already decided to depart the series.<sup class="reference" id="cite_ref-dwm210_42-2">[43] At this point it was turned down by the production team<sup class="reference" id="cite_ref-dwm211_41-1">[42] Tosh had completed a script for the first episode and notes for the subsequent three episodes.<sup class="reference" id="cite_ref-dwm211_41-2">[42] Tosh completed a full storyline for DWM in 1994.<sup class="reference" id="cite_ref-dwm211_41-3">[42] <sup class="reference" id="cite_ref-dwm210_42-3">[43] Set on an Earth Space station it deals with a conflict between the staff of the station and the Rosemariners,<sup class="reference" id="cite_ref-dwm210_42-4">[43] a group who plan to hold the staff hostage in return for Earth supplying them with sophisticated weapons.<sup class="reference" id="cite_ref-dwm211_41-4">[42] It was later adapted by Tosh for Big Finish's The Lost Stories range in September 2012.

[edit] The Stones of Darkness
Written by Brian Hayles.<sup class="reference" id="cite_ref-nothinglane63_43-0">[44]

[edit] "Untitled storyline (Ling)"
Written by Peter Ling, this involved a story in which time runs backwards.<sup class="reference" id="cite_ref-bhott_lostunt_4-5">[5]

[edit] "Untitled storyline (Sherwin)"
Written by Derrick Sherwin.<sup class="reference" id="cite_ref-bhott_lostunt_4-6">[5]

[edit] The Circles of Power
Written by Brian Hayles.<sup class="reference" id="cite_ref-nothinglane67_44-0">[45]

[edit] The Mists of Madness
Written by Brian Wright.<sup class="reference" id="cite_ref-seventies28_45-0">[46]

[edit] The Shadow People
Written by Charlotte & Dennis Plimmer,<sup class="reference" id="cite_ref-seventies28_45-1">[46] this seven-part story<sup class="reference" id="cite_ref-bhott_lostrz_16-2">[17] was submitted to the production office 10 November 1969.<sup class="reference" id="cite_ref-bhott_lostrz_16-3">[17] It was seriously considered as the final story of Series 7,<sup class="reference" id="cite_ref-bhott_lostrz_16-4">[17] but a pay dispute with the writers saw the story being dropped.<sup class="reference" id="cite_ref-bhott_lostrz_16-5">[17]

[edit] "Untitled storyline (Ray)"
Written by Trevor Ray, this story would have been set underwater.<sup class="reference" id="cite_ref-bhott_lostunt_4-7">[5]

[edit] The Cerebroids
Written by Brian Wright, this story was commissioned on 24 June 1970<sup class="reference" id="cite_ref-bhott_lostaf_11-2">[12] before being abruptly dropped on 29 June 1970.<sup class="reference" id="cite_ref-bhott_lostaf_11-3">[12]

[edit] The Space War
Written by Ian Stuart Black<sup class="reference" id="cite_ref-seventies45_46-0">[47] and also known as The Furies,<sup class="reference" id="cite_ref-bhott_lostrz_16-6">[17] this six-part story<sup class="reference" id="cite_ref-bhott_lostrz_16-7">[17] was commissioned on 9 November 1969.<sup class="reference" id="cite_ref-bhott_lostrz_16-8">[17]

[edit] The Hollow Men
Written by Brian Hayles.<sup class="reference" id="cite_ref-nothinglane70_47-0">[48]

[edit] The Spare-Part People
Written by Jon Pertwee & Reed de Rouen<sup class="reference" id="cite_ref-bhott_lostrz_16-9">[17] and also known as The Brain Drain and The Labyrinth,<sup class="reference" id="cite_ref-bhott_lostrz_16-10">[17] this seven-part story<sup class="reference" id="cite_ref-bhott_lostrz_16-11">[17] was submitted to the production team in the summer of 1970.<sup class="reference" id="cite_ref-bhott_lostrz_16-12">[17] In the proposed storyline the Doctor poses as a Cambridge don to investigate a series of disappearances.<sup class="reference" id="cite_ref-bhott_lostrz_16-13">[17] He himself is kidnapped and taken to a civilization under Antarctica.<sup class="reference" id="cite_ref-bhott_lostrz_16-14">[17]

[edit] "Untitled storyline (Camfield)"
Written by Douglas Camfield, this story involved a hidden Amazon city<sup class="reference" id="cite_ref-bhott_lostunt_4-8">[5] and was submitted in late 1970.<sup class="reference" id="cite_ref-bhott_lostunt_4-9">[5]

[edit] "Untitled storyline (Worth)"
Written by Martin Worth, this story would involve plant life trying to take over the Earth.<sup class="reference" id="cite_ref-bhott_lostunt_4-10">[5]

[edit] The Brain-Dead
Written by Brian Hayles,<sup class="reference" id="cite_ref-seventies45_46-1">[47] this was submitted to the production office during the spring of 1971.<sup class="reference" id="cite_ref-bhott_lostaf_11-4">[12] The story involved an Ice Warrior plan to invade the Earth<sup class="reference" id="cite_ref-bhott_lostaf_11-5">[12] using a 'Z' beam which freezes things it strikes to absolute zero.<sup class="reference" id="cite_ref-bhott_lostaf_11-6">[12] When used on humans it turns them into zombie-like slaves.<sup class="reference" id="cite_ref-bhott_lostaf_11-7">[12] Script editor Dicks rejected the storyline, but the inclusion of the Ice Warriors inspired the development of The Curse of Peladon.<sup class="reference" id="cite_ref-bhott_lostaf_11-8">[12]

[edit] The Daleks in London
The Daleks in London, commissioned on 25 May 1971,<sup class="reference" id="cite_ref-bhott_lostaf_11-9">[12] was to be the final story of Series 9 in 1972,<sup class="reference" id="cite_ref-bhott_lostaf_11-10">[12] re-introducing the Daleks after a five year absence. Little is known about the exact storyline of the six-part<sup class="reference" id="cite_ref-bhott_lostaf_11-11">[12] Robert Sloman serial, other than the fact that it would have had some similarities to The Dalek Invasion of Earth, except set in contemporary London.<sup class="reference" id="cite_ref-seventies44_48-0">[49] This similarity caused the production team some concern,<sup class="Template-Fact" style="white-space: nowrap;">[citation needed] and producer Barry Letts eventually decided that he would rather start the series with a Dalek adventure instead of ending it with one.<sup class="Template-Fact" style="white-space: nowrap;">[citation needed] An unrelated submission by Louis Marks was therefore rewritten into Day of the Daleks, and The Time Monster was commissioned to replace the original series finale.<sup class="reference" id="cite_ref-bhott_lostaf_11-12">[12]

[edit] The Mega
Written by Bill Strutton,<sup class="reference" id="cite_ref-seventies45_46-2">[47] this four-part story<sup class="reference" id="cite_ref-bhott_lostaf_11-13">[12] was submitted to the production office on 25 September 1970<sup class="reference" id="cite_ref-bhott_lostmq_49-0">[50] It was later adapted by Simon Guerrier for Big Finish's The Lost Stories range in December 2013.

[edit] The Shape of Terror
Written by Brian Hayles,<sup class="reference" id="cite_ref-seventies45_46-3">[47] this story was submitted during the spring of 1971.<sup class="reference" id="cite_ref-bhott_lostrz_16-15">[17]

[edit] Multiface
Written by Godfrey Harrison,<sup class="reference" id="cite_ref-seventies56_50-0">[51] this four-part story<sup class="reference" id="cite_ref-bhott_lostmq_49-1">[50] was commissioned by Letts on 19 July 1971.<sup class="reference" id="cite_ref-bhott_lostmq_49-2">[50] Feeling it was more fantastical than appropriate for Doctor Who,<sup class="reference" id="cite_ref-bhott_lostmq_49-3">[50] Letts dropped the story on 25 February 1972.<sup class="reference" id="cite_ref-bhott_lostmq_49-4">[50]

[edit] The Automata
Written by Robert Holmes,<sup class="reference" id="cite_ref-seventies63_51-0">[52] this four-part story<sup class="reference" id="cite_ref-bhott_lostaf_11-14">[12] was commissioned on 16 January 1973.<sup class="reference" id="cite_ref-bhott_lostaf_11-15">[12] Letts and Dicks didn't like the storyline<sup class="reference" id="cite_ref-bhott_lostaf_11-16">[12] and it was replaced by The Time Warrior.<sup class="reference" id="cite_ref-bhott_lostaf_11-17">[12]

[edit] The Final Game
The Third Doctor's final story was to be The Final Game by Robert Sloman<sup class="reference" id="cite_ref-bhott_lostaf_11-18">[12] and Barry Letts as an uncredited co-writer<sup class="reference" id="cite_ref-bhott_lostaf_11-19">[12] which was commissioned on 15 February 1973.<sup class="reference" id="cite_ref-bhott_lostaf_11-20">[12] The story was to end with the Master dying in a manner which suggested that he was trying to save the Doctor's life.<sup class="reference" id="cite_ref-bhott_lostaf_11-21">[12] The actor who played the Master, Roger Delgado, was killed in a car accident in Turkey on 18 June 1973,<sup class="reference" id="cite_ref-bhott_lostaf_11-22">[12] forcing the scrapping of the story.<sup class="reference" id="cite_ref-bhott_lostaf_11-23">[12] The story was replaced by Planet of the Spiders.<sup class="reference" id="cite_ref-bhott_lostaf_11-24">[12]

[edit] The Ark in Space
Written by John Lucarotti, this script came about after Space Station (see below) was rejected<sup class="reference" id="cite_ref-dwmse8_52-0">[53] and Lucarotti was suggested by Terrance Dicks as a replacement writer on the strength of his Moonbase 3 script.<sup class="reference" id="cite_ref-dwmse8_52-1">[53] The story would use the same space station setting as Space Station,<sup class="reference" id="cite_ref-seventies84_53-0">[54] the setting being dictated by the production office as means of saving money by having it share sets with Revenge of the Cybermen.<sup class="reference" id="cite_ref-seventies84_53-1">[54] The story would deal with an infestation of the space station by alien spores.<sup class="reference" id="cite_ref-seventies84_53-2">[54] It was replaced by a new The Ark in Space by Robert Holmes, which shared only the setting with the previous version.<sup class="reference" id="cite_ref-seventies84_53-3">[54]

[edit] The Sea of Fear
Written by Brian Hayles submitted this storyline to the production office on 9 March 1974.<sup class="reference" id="cite_ref-nothinglane74_54-0">[55] The story involves the Doctor and Sarah becoming caught up in an experiment to determine the true ancestors of humankind.<sup class="reference" id="cite_ref-nothinglane74_54-1">[55]

[edit] Space Station
Written by Christopher Langley,<sup class="reference" id="cite_ref-seventies84_53-4">[54] this storyline for a four-part story<sup class="reference" id="cite_ref-bhott_lostrz_16-16">[17] was submitted to the production office on 30 December 1973.<sup class="reference" id="cite_ref-bhott_lostaf_11-25">[12] It was subsequently commissioned for scripts on 24 January 1974<sup class="reference" id="cite_ref-bhott_lostrz_16-17">[17] and planned as the second story of Series 12.<sup class="reference" id="cite_ref-bhott_lostrz_16-18">[17] It was dropped on 17 June 1974<sup class="reference" id="cite_ref-bhott_lostrz_16-19">[17] and replaced by Lucarotti's The Ark in Space.<sup class="reference" id="cite_ref-dwmse8_52-2">[53]

[edit] "Untitled storyline (Adams)"
Written by Douglas Adams, this story was submitted around the middle of 1974.<sup class="reference" id="cite_ref-bhott_lostunt_4-11">[5] It involved a space ship leaving Earth and filled with the affluent but "useless" members of society.<sup class="reference" id="cite_ref-bhott_lostunt_4-12">[5] Adams later adapted the material for the "B Ark" storyline of The Hitchhiker's Guide to the Galaxy.<sup class="reference" id="cite_ref-bhott_lostunt_4-13">[5]

[edit] The Angarath
Written by Eric Pringle, the story dealt with people offering sacrifices to sentient rocks.<sup class="reference" id="cite_ref-bhott_lostaf_11-26">[12] Pringle was commissioned on 11 August 1975 by producer Philip Hinchcliffe<sup class="reference" id="cite_ref-dwmse8b_55-0">[56] to write the first two episodes of the four-part story.<sup class="reference" id="cite_ref-dwmse8b_55-1">[56] Pringle submitted the final two episodes without commission on 10 March 1976,<sup class="reference" id="cite_ref-dwmse8e_56-0">[57] but the story was cancelled on 23 June 1976.<sup class="reference" id="cite_ref-dwmse8e_56-1">[57]

[edit] The Beasts of Manzic
Written by Robin Smyth, this six-part story<sup class="reference" id="cite_ref-dwmse8b_55-2">[56] was rejected on 13 May 1975.<sup class="reference" id="cite_ref-dwmse8b_55-3">[56]

[edit] The Eyes of Nemesis
Written by Brian Hayles, this story was submitted to the production office on 15 May 1975.<sup class="reference" id="cite_ref-nothinglane75_57-0">[58] It would involve the Doctor and Sarah in a chase between the hunter Torr and his quarry Lakdem.<sup class="reference" id="cite_ref-nothinglane75_57-1">[58] Towards the end of the adventure it is revealed that Torr works for the Celestial Toymaker.<sup class="reference" id="cite_ref-nothinglane76_58-0">[59]

[edit] Fires of the Starmind
Written by Marc Platt, this story was submitted in late 1975<sup class="reference" id="cite_ref-bhott_lostaf_11-27">[12] and dealt with a sentient star using the Time Lord libraries as a means of invading Gallifrey.<sup class="reference" id="cite_ref-bhott_lostaf_11-28">[12] It was rejected on 15 December 1975.<sup class="reference" id="cite_ref-bhott_lostaf_11-29">[12]

[edit] The Haunting
Written by Terrance Dicks,<sup class="reference" id="cite_ref-seventies95_59-0">[60] this six-part story<sup class="reference" id="cite_ref-dwmse8a_60-0">[61] was submitted at the start of November 1974<sup class="reference" id="cite_ref-dwmse8_52-3">[53] and was to dealt with vampires.<sup class="reference" id="cite_ref-bhott_lostgl_0-5">[1] The storyline was commissioned on 11 December 1974,<sup class="reference" id="cite_ref-bhott_lostgl_0-6">[1] but was abandoned on 13 May 1975.<sup class="reference" id="cite_ref-dwmse8b_55-4">[56] Dicks later reused some of the material for his 1977 script The Vampire Mutation,<sup class="reference" id="cite_ref-bhott_lostgl_0-7">[1] the story that eventually became State of Decay.<sup class="reference" id="cite_ref-bhott_lostgl_0-8">[1]

[edit] The Menday Fault
Written by David Wiltshire, this was an unsolicited script<sup class="reference" id="cite_ref-dwm292e_61-0">[62] for a six-part story.<sup class="reference" id="cite_ref-dwm292e_61-1">[62] The story revolved around a nuclear submarine diving into the 'Fault of Menday' and discovering a subterranean world.<sup class="reference" id="cite_ref-dwm292a_62-0">[63] The 'sun' for this world is dying and the underground dwellers, Suranians led by Zorr, are planning to invade the surface world.<sup class="reference" id="cite_ref-dwm292a_62-1">[63] Wiltshire was never commissioned to develop the storyline further.<sup class="reference" id="cite_ref-dwm292a_62-2">[63]

[edit] The Nightmare Planet
Written by Dennis Spooner, this story was to be concerned with a planet where drugs in the food and water are used to control the populace.<sup class="reference" id="cite_ref-bhott_lostmq_49-5">[50] Punishment would be meted out by temporary withdrawal from the drugs which would cause people to see monsters all around them.<sup class="reference" id="cite_ref-bhott_lostmq_49-6">[50] The storyline for the four-part story<sup class="reference" id="cite_ref-dwmse8a_60-1">[61] was commissioned on 31 January 1975<sup class="reference" id="cite_ref-dwmse8a_60-2">[61] and the full scripts on 4 February 1975.<sup class="reference" id="cite_ref-bhott_lostmq_49-7">[50]

[edit] The Prisoner of Time
Written by Barry Letts,<sup class="reference" id="cite_ref-seventies95_59-1">[60] the storyline for this four-part story<sup class="reference" id="cite_ref-dwmse8a_60-3">[61] was commissioned on 21 January 1975.<sup class="reference" id="cite_ref-dwmse8a_60-4">[61] It was based on audition piece for the role of Sarah Jane Smith Letts had written in 1973<sup class="reference" id="cite_ref-dwmse8a_60-5">[61] and was initially known as Time Lord Story.<sup class="reference" id="cite_ref-dwmse8a_60-6">[61] Scripts were requested,<sup class="reference" id="cite_ref-bhott_lostmq_49-8">[50] but Hinchcliffe was unhappy with the draft of the first part<sup class="reference" id="cite_ref-bhott_lostmq_49-9">[50] and ultimately the story was dropped.<sup class="reference" id="cite_ref-bhott_lostmq_49-10">[50]

[edit] Pyramids of Mars
Written by Lewis Griefer, this story was commissioned in the July of 1974.<sup class="reference" id="cite_ref-dwmse8_52-4">[53] The story would involve museum keepers being chased out of the British Museum by a mummy.<sup class="reference" id="cite_ref-seventies93_63-0">[64] It would turn out that a group was scaring people away in order to gain access to a sarcophagus which would contain wild rice from thousands of years ago.<sup class="reference" id="cite_ref-seventies94_64-0">[65] The group wanted to use the rice to seed Mars and make a fortune.<sup class="reference" id="cite_ref-seventies94_64-1">[65] It was replaced by Robert Holmes' Pyramids of Mars when Griefer fell ill<sup class="reference" id="cite_ref-dwmse8_52-5">[53] and the scripts came in late<sup class="reference" id="cite_ref-seventies94_64-2">[65] and were not what the production team wanted.<sup class="reference" id="cite_ref-seventies94_64-3">[65]

[edit] Return to Sukannan
Written by Terry Nation, this story was commissioned for a storyline on 13 February 1975.<sup class="reference" id="cite_ref-dwmse8a_60-7">[61] It was replaced by The Android Invasion.<sup class="reference" id="cite_ref-bhott_lostrz_16-20">[17]

[edit] The Silent Scream
Written by Chris Boucher, this story was an unsolicited submission sent to the production office in early 1975.<sup class="reference" id="cite_ref-bhott_lostrz_16-21">[17]

[edit] The Dreamers of Phados
Written by Chris Boucher,<sup class="reference" id="cite_ref-seventies104_65-0">[66] was submitted at some point after The Silent Scream had been rejected in early 1975.<sup class="reference" id="cite_ref-bhott_lostaf_11-30">[12] It was based on a premise that Hinchcliffe and Holmes wanted to use in which people and machines are controlled by a computer that malfunctions.<sup class="reference" id="cite_ref-dwm229b_66-0">[67] It was to be set on a space ship which has been home to several generations of a civilization.<sup class="reference" id="cite_ref-bhott_lostmq_49-11">[50]

[edit] The Foe from the Future
Written by Robert Banks Stewart as a six-part story,<sup class="reference" id="cite_ref-dwmse8f_67-0">[68] the story was commissioned in May 1976.<sup class="reference" id="cite_ref-dwmse8e_56-2">[57] This story was replaced by The Talons of Weng-Chiang,<sup class="reference" id="cite_ref-dwmse8g_68-0">[69] which used the same basic premise of a villain traveling back in time<sup class="reference" id="cite_ref-seventies106_69-0">[70] when Stewart took up the post of script editor on the series Armchair Thriller and would be unable to deliver the scripts.<sup class="reference" id="cite_ref-dwmse8f_67-1">[68] It was later adapted by John Dorney for Big Finish's The Lost Stories range in January 2012.

[edit] The Gaslight Murders
Written by Basil Dawson,<sup class="reference" id="cite_ref-seventies106_69-1">[70] this four-part story<sup class="reference" id="cite_ref-bhott_lostgl_0-9">[1] involving murders in Victorian London<sup class="reference" id="cite_ref-bhott_lostgl_0-10">[1] was planned to introduce a new companion following the departure of Sarah Jane Smith.<sup class="reference" id="cite_ref-bhott_lostgl_0-11">[1] It was replaced by The Face of Evil.<sup class="reference" id="cite_ref-bhott_lostgl_0-12">[1]

[edit] The Lost Legion
Written by Douglas Camfield, this four-part story<sup class="reference" id="cite_ref-dwmse8d_70-0">[71] was commissioned on 22 January 1976.<sup class="reference" id="cite_ref-dwmse8d_70-1">[71] The story would involve the Doctor and Sarah arriving in North Africa at an isolated French Legion outpost.<sup class="reference" id="cite_ref-dwmse8d_70-2">[71] This has become the battleground for a fight between two alien races, the Skarkel and Khoorians.<sup class="reference" id="cite_ref-dwmse8d_70-3">[71] The story was planned to write out the character of Sarah and would see Sarah killed by one of the aliens.<sup class="reference" id="cite_ref-dwmse8d_70-4">[71] The first script was submitted on 9 February 1976<sup class="reference" id="cite_ref-bhott_lostgl_0-13">[1] and removed from the series schedule in April 1976.<sup class="reference" id="cite_ref-dwmse8e_56-3">[57] Camfield would continue to work on the scripts, delivering the final part on 24 September 1976,<sup class="reference" id="cite_ref-dwmse8f_67-2">[68] but the production team were no longer interested in pursuing the story.<sup class="reference" id="cite_ref-bhott_lostgl_0-14">[1]

[edit] The Mentor Conspiracy
Written by Chris Boucher,<sup class="reference" id="cite_ref-seventies104_65-1">[66] this story was, like The Dreamer of Phados,<sup class="reference" id="cite_ref-dwm229b_66-1">[67] written to an idea brief from Holmes and Hinchcliffe.<sup class="reference" id="cite_ref-dwm229b_66-2">[67] It was to be set on a space ship which has been home to several generations of a civilization.<sup class="reference" id="cite_ref-bhott_lostmq_49-12">[50] The script was turned down on 30 October 1975.<sup class="reference" id="cite_ref-dwmse8c_71-0">[72]

[edit] The Divided
Written by Moris Farhi, this four-part story<sup class="reference" id="cite_ref-nothinglanefgm_72-0">[73] was officially commissioned by producer Graham Williams<sup class="reference" id="cite_ref-nothinglanefgm_72-1">[73] on 8 November 1977.<sup class="reference" id="cite_ref-nothinglanefgm_72-2">[73] The script was not produced and Farhi no longer recalls what it was about; the script itself is lost.<sup class="reference" id="cite_ref-nothinglanefgm_72-3">[73]

[edit] Killers of the Dark
Following the successful realisation of the Doctor's home planet of Gallifrey on screen in The Deadly Assassin, producer Graham Williams wanted another Gallifrey story.<sup class="Template-Fact" style="white-space: nowrap;">[citation needed] Script editor Anthony Read approached David Weir with whom he had worked before.<sup class="reference" id="cite_ref-dwmse8h_73-0">[74] Weir's script, a six-part story, was planned as the final story of Series 15<sup class="reference" id="cite_ref-dwmse8g_68-1">[69] and was commissioned on 18 July 1977.<sup class="reference" id="cite_ref-bhott_lostgl_0-15">[1] Weir's script had elements drawn from Asian cultures,<sup class="reference" id="cite_ref-dwmse8g_68-2">[69] and included a race of cat-people with links to Gallifrey.<sup class="reference" id="cite_ref-dwmse8g_68-3">[69] Scenes included a gladiatorial duel in a stadium filled with cat-people.<sup class="reference" id="cite_ref-bhott_lostgl_0-16">[1] Read and director Gerald Blake, upon reading the finished script, determined that the story would be impossible to shoot on Doctor Who's budget<sup class="reference" id="cite_ref-bhott_lostgl_0-17">[1] and the story was abandoned mid-August 1977.<sup class="reference" id="cite_ref-dwmse8j_74-0">[75] With only two weeks to spare before filming, Read and Williams quickly co-wrote a replacement script in the form of The Invasion of Time.<sup class="reference" id="cite_ref-dwmse8h_73-1">[74] When asked about Weir's story at a fan convention years later, Williams could not recall its title and made up the name The Killer Cats of Geng Singh, by which title the story became widely known in fan circles.<sup class="reference" id="cite_ref-bhott_lostgl_0-18">[1]

[edit] "Untitled storyline (Holmes)"
Written by Robert Holmes, this storyline was considered in the autumn of 1976 when it was assumed Hinchcliffe would still be producing Series 15.<sup class="reference" id="cite_ref-bhott_lostunt_4-14">[5] It was to have been inspired by Joseph Conrad's novel Heart of Darkness.<sup class="reference" id="cite_ref-bhott_lostunt_4-15">[5]

[edit] The Lords of Misrule
Written by Ted Willis<sup class="reference" id="cite_ref-dwmsum95_75-0">[76] the four-part story<sup class="reference" id="cite_ref-bhott_lostgl_0-19">[1] involved a hunt for a segment of the Key to Time disguised as a valuable jewel.<sup class="reference" id="cite_ref-dwmsum95_75-1">[76] Set on the planet Tetran<sup class="reference" id="cite_ref-dwmsum95b_76-0">[77] the Doctor and Romana discover a populace ruled over by three oppressive Lords<sup class="reference" id="cite_ref-dwmsum95b_76-1">[77] who control things from their castle in orbit about the planet.<sup class="reference" id="cite_ref-dwmsum95c_77-0">[78]

[edit] Shield of Zarak
Written by Ted Lewis,<sup class="reference" id="cite_ref-seventies129_78-0">[79] and also known as Shield of Zareg<sup class="reference" id="cite_ref-dwmse9e_79-0">[80] and The Doppelgängers,<sup class="reference" id="cite_ref-dwmse8k_80-0">[81] the scripts for the first two episodes of the four-part fourth serial of the season<sup class="reference" id="cite_ref-dwmse9_81-0">[82] were delivered to the production office on 28 April 1978.<sup class="reference" id="cite_ref-dwmse9_81-1">[82] Although a third script arrived on 12 May 1978,<sup class="reference" id="cite_ref-dwmse9_81-2">[82] Lewis turning up inebriated to a meeting with Graham Williams and Anthony Read<sup class="reference" id="cite_ref-dwmse9_81-3">[82] and the unsuitability of the submitted material<sup class="reference" id="cite_ref-dwmse9_81-4">[82] meant the story was dropped and replaced by David Fisher's The Androids of Tara.<sup class="reference" id="cite_ref-dwmse9_81-5">[82]

[edit] "Untitled storyline (Boucher)"
Written by Chris Boucher, this idea was submitted shortly after Boucher had completed Image of the Fendahl.<sup class="reference" id="cite_ref-bhott_lostunt_4-16">[5] However, BBC Head of Drama Ronnie Marsh did not want writers working on both Doctor Who and Blake's 7 at the same time,<sup class="reference" id="cite_ref-bhott_lostunt_4-17">[5] and the story was consequently dropped.<sup class="reference" id="cite_ref-bhott_lostunt_4-18">[5]

[edit] Shada
Main article: ShadaShada was a six-part serial written by Douglas Adams that was to have concluded Series 17 in 1980.<sup class="reference" id="cite_ref-seventies141_82-0">[83] Production was halted during filming due to a strike and never resumed,<sup class="reference" id="cite_ref-seventies142_83-0">[84] although a reconstruction of the serial using narration and existing footage was later released on VHS in 1992. The story was later adapted by Big Finish in 2003 as a webcast production featuring Paul McGann's Eighth Doctor (and later released as an audio story that same year), while Adams himself reused elements from the serial for his first Dirk Gently novel Dirk Gently's Holistic Detective Agency.<sup class="reference" id="cite_ref-bhott_shada_84-0">[85] The story was novelized by Gareth Roberts in 2012.

[edit] Child Prodigy
Written by Alistair Beaton & Sarah Dunant, this four-part story<sup class="reference" id="cite_ref-dwmse9d_85-0">[86] was commissioned on 12 December 1978.<sup class="reference" id="cite_ref-dwmse9d_85-1">[86] The scripts were delivered on 5 January 1979<sup class="reference" id="cite_ref-dwmse9d_85-2">[86] and rejected four days later as unacceptable.<sup class="reference" id="cite_ref-dwmse9d_85-3">[86]

[edit] The Doomsday Contract
For Series 17, John Lloyd, a frequent collaborator with script editor Douglas Adams, adapted material from his unpublished science fiction story GiGax<sup class="reference" id="cite_ref-dwm219_86-0">[87] and in October 1978<sup class="Template-Fact" style="white-space: nowrap;">[citation needed] submitted Shylock, a four-part serial written in Adams' light-hearted style.<sup class="reference" id="cite_ref-dwmse9e_79-1">[80] After providing a second draft of the storyline to modify parts of the script to avoid issues such as the rules involving child actors,<sup class="reference" id="cite_ref-dwm219_86-1">[87] Lloyd was forced to focus on his commitments as producer of Not the Nine O'Clock News.<sup class="reference" id="cite_ref-dwm219b_87-0">[88] Williams was still interested enough in the storyline that he made plans to involved writer Allan Prior to work on the scripts.<sup class="reference" id="cite_ref-dwm219b_87-1">[88] The storyline was commissioned on 7 February 1979<sup class="reference" id="cite_ref-eighties4_88-0">[89] and a script list dated 29 June 1979 links Lloyd and Prior to the project.<sup class="reference" id="cite_ref-dwm219b_87-2">[88] Lloyd officially agreed to another writer taking on his story on 25 August 1979.<sup class="reference" id="cite_ref-dwmse9f_89-0">[90] In the story, the Doctor subpoenaed to appear in court when a corporation tries to buy Earth in order to obtain a matter-transmutation device.<sup class="reference" id="cite_ref-dwm218_90-0">[91]

[edit] Erinella
Written by Pennant Roberts, this four-part story<sup class="reference" id="cite_ref-bhott_lostaf_11-31">[12] was commissioned on 10 January 1979 as Dragons of Fear.<sup class="reference" id="cite_ref-eighties4_88-1">[89] The adventure would involve the planet Erinella<sup class="reference" id="cite_ref-dwmse9d_85-4">[86] and two men fighting over a princess.<sup class="reference" id="cite_ref-dwmse9d_85-5">[86] The Doctor would become involved in his own timeline<sup class="reference" id="cite_ref-dwmse9e_79-2">[80] by arriving at the wrong time<sup class="reference" id="cite_ref-dwmse9e_79-3">[80] and becoming accused of being a poisoner.<sup class="reference" id="cite_ref-dwmse9e_79-4">[80] Roberts resubmitted the story in the mid-1980s to script editor Eric Saward,<sup class="reference" id="cite_ref-bhott_lostaf_11-32">[12] but nothing came of the submission.<sup class="reference" id="cite_ref-bhott_lostaf_11-33">[12]

[edit] The Secret of Cassius
Written by Andrew Smith, this story was rejected by Read in August 1978.<sup class="reference" id="cite_ref-dwmse9b_91-0">[92]

[edit] The Tearing of the Veil
Written by Alan Drury, the scripts were commissioned on 2 April 1979<sup class="reference" id="cite_ref-eighties4_88-2">[89] for this four-part story.<sup class="reference" id="cite_ref-dwm292a_62-3">[63] The story was set in the Victorian era<sup class="reference" id="cite_ref-dwm292a_62-4">[63] and the entire action would take place in and around a vicarage.<sup class="reference" id="cite_ref-dwm292a_62-5">[63] The vicar had recently dies and fake spiritualists were exploiting the widow.<sup class="reference" id="cite_ref-dwm292a_62-6">[63] The first episode would open with a seance during which the TARDIS would arrive.<sup class="reference" id="cite_ref-dwm292a_62-7">[63] On 19 September 1979,<sup class="reference" id="cite_ref-dwmse9g_92-0">[93] the story was accepted subject to alterations.<sup class="reference" id="cite_ref-dwmse9g_92-1">[93]

[edit] Valley of the Lost
Written by Philip Hinchcliffe, this story involved the Doctor and Romana encountering an alien Luron called Godrin who crash landed in a South American jungle in 1870.<sup class="reference" id="cite_ref-dwmse9c_93-0">[94] Adams wrote to Hinchcliffe on 3 January 1979,<sup class="reference" id="cite_ref-dwmse9d_85-6">[86] explaining that the proposed script would be too costly to produce.<sup class="reference" id="cite_ref-dwmse9d_85-7">[86] It was later adapted as The Valley of Death by Jonathan Morris for Big Finish's The Lost Stories series in January 2012.

[edit] "Untitled storyline (Adams)"
Written by Douglas Adams,<sup class="reference" id="cite_ref-dwmse9f_89-1">[90] this story would involve the Doctor going into retirement but being constantly called upon to solve various problems.<sup class="reference" id="cite_ref-bhott_lostunt_4-19">[5] It was considered as the final story of Series 17<sup class="reference" id="cite_ref-bhott_lostunt_4-20">[5] till Williams dismissed the idea.<sup class="reference" id="cite_ref-bhott_lostunt_4-21">[5] It was replaced by Shada.<sup class="reference" id="cite_ref-bhott_lostunt_4-22">[5]

[edit] "Untitled storyline (Mills & Wagner)"
Written by Pat Mills & John Wagner,<sup class="reference" id="cite_ref-dwmse9h_94-0">[95] this story was submitted around the start of 1979.<sup class="reference" id="cite_ref-bhott_lostunt_4-23">[5] The story would involve a parallel universe in which the Roman Empire never fell.<sup class="reference" id="cite_ref-bhott_lostunt_4-24">[5] Mills & Wagner subsequently adapted it to become the comic story The Iron Legion for Doctor Who Weekly in late 1979.<sup class="reference" id="cite_ref-bhott_lostunt_4-25">[5]

[edit] The Castle of Doom
Written by David Fisher, this story was submitted by Fisher on 7 November 1979.<sup class="reference" id="cite_ref-bhott_lostaf_11-34">[12]

[edit] The Dogs of Darkness
Written by Jack Gardner, a scene breakdown for this four-part story<sup class="reference" id="cite_ref-bhott_lostaf_11-35">[12] was commissioned on 29 March 1980<sup class="reference" id="cite_ref-eighties6_95-0">[96] and the scripts on 11 August 1980.<sup class="reference" id="cite_ref-eighties6_95-1">[96] It was still under consideration in April 1981.<sup class="reference" id="cite_ref-bhott_lostaf_11-36">[12]

[edit] Farer Nohan
Written by Andrew Stephenson, a scene breakdown for this four-part story<sup class="reference" id="cite_ref-bhott_lostaf_11-37">[12] was commissioned on 18 March 1980.<sup class="reference" id="cite_ref-eighties5_96-0">[97]

[edit] Into the Comet
Written by James Follett, this involved an alien race living inside a comet.<sup class="reference" id="cite_ref-dwmse9g_92-2">[93]

[edit] Invasion of the Veridians
Written by Nabil Shaban, this story was submitted to the production office in 1980.<sup class="reference" id="cite_ref-bhott_lostgl_0-20">[1]

[edit] Mark of Lumos
Written by Keith Miles, a story outline for this four-part story<sup class="reference" id="cite_ref-bhott_lostmq_49-13">[50] was commissioned on 14 March 1980.<sup class="reference" id="cite_ref-eighties5_96-1">[97]

[edit] Mouth of Grath
Written by Malcolm Edwards & Leroy Kettle, a scene breakdown for this four-part story<sup class="reference" id="cite_ref-bhott_lostmq_49-14">[50] was commissioned on 18 March 1980.<sup class="reference" id="cite_ref-eighties5_96-2">[97]

[edit] The Psychonauts
Written by David Fisher,<sup class="reference" id="cite_ref-eighties6_95-2">[96] this story was discussed with Adams in late 1979.<sup class="reference" id="cite_ref-bhott_lostmq_49-15">[50] It would have featured the Doctor battling the Nephilim, creatures who travel through time in sleeping units that look like sarcophagi.<sup class="reference" id="cite_ref-bhott_lostmq_49-16">[50] New producer Nathan-Turner was not interested<sup class="reference" id="cite_ref-bhott_lostmq_49-17">[50] and instead The Leisure Hive was developed.<sup class="reference" id="cite_ref-bhott_lostmq_49-18">[50]

[edit] Romanoids
Written by Geoff Lowe, this spec outline arrived at the production office in the summer of 1980.<sup class="reference" id="cite_ref-bhott_lostrz_16-22">[17] It was passed on to Nathan-Turner on 9 December 1980.<sup class="reference" id="cite_ref-dwmse9h_94-1">[95]

[edit] Sealed Orders
Written by Christopher Priest, a scene breakdown for this four-part story<sup class="reference" id="cite_ref-bhott_lostrz_16-23">[17] was commissioned on 27 February 1980<sup class="reference" id="cite_ref-eighties5_96-3">[97] and the full scripts on 24 March 1981.<sup class="reference" id="cite_ref-dwm292_97-0">[98] The story was set on Gallifrey<sup class="reference" id="cite_ref-bhott_lostrz_16-24">[17] and would involve the Doctor being ordered to kill Romana.<sup class="reference" id="cite_ref-bhott_lostrz_16-25">[17]

[edit] Soldar and the Plastoids
Written by John Bennett, a scene breakdown for this four-part story<sup class="reference" id="cite_ref-bhott_lostrz_16-26">[17] was commissioned on 10 April 1980.<sup class="reference" id="cite_ref-eighties6_95-3">[96]

[edit] Song of the Space Whale
Space-Whale<sup class="reference" id="cite_ref-eighties37_98-0">[99] was originally pitched by Pat Mills and his writing partner John Wagner in 1980 as a Fourth Doctor adventure.<sup class="reference" id="cite_ref-dwm229_99-0">[100] When the production office showed some signs of interest, Wagner left the project<sup class="reference" id="cite_ref-dwm229_99-1">[100] and the script was commissioned as a four-part Fifth Doctor story for a scene breakdown on 7 September 1981<sup class="reference" id="cite_ref-eighties37_98-1">[99] and full scripts on 2 December 1981.<sup class="reference" id="cite_ref-eighties37_98-2">[99] The new drafts reduced the humor<sup class="reference" id="cite_ref-dwm229_99-2">[100] and the renamed Song of the Space Whale<sup class="reference" id="cite_ref-eighties37_98-3">[99] was now planned as the third series of Series 20 and intended to introduce new companion Vislor Turlough.<sup class="reference" id="cite_ref-dwm229_99-3">[100] The story concerned a group of people living in the belly of a giant whale in space.<sup class="reference" id="cite_ref-dwm228_100-0">[101] The Doctor would find this out while attempting to protect the creature from being slaughtered by a rusting factory ship.<sup class="reference" id="cite_ref-dwm228_100-1">[101] The castaways living in the whale, as well as the ship's captain, would be working class characters,<sup class="reference" id="cite_ref-dwm229_99-4">[100] with the former's dialogue being based on that of a working-class Northern Irish family that Mills knew.<sup class="reference" id="cite_ref-dwm229_99-5">[100] During the writing, Mills and script editor Eric Saward "fundamentally disagreed" on the character of the captain (Saward wanting a more Star Trek-type figure) and the dialogue for the castaways. Mills has said that "there was a Coronation Street quality to it that Eric felt didn't work in space. He thought the future would be classless, and I didn't."<sup class="reference" id="cite_ref-deathray_101-0">[102] Mills' disagreements with Saward led to the script being delayed until it was too late to serve as Turlough's introductory story.<sup class="reference" id="cite_ref-dwm229b_66-3">[67] The script was then considered for Series 21 and later still Series 22.<sup class="reference" id="cite_ref-dwm229b_66-4">[67] By this point the script had been revised as two 45-minute episodes,<sup class="reference" id="cite_ref-dwm229b_66-5">[67] but although it was still listed in July 1985 as an ongoing script,<sup class="reference" id="cite_ref-dwm229b_66-6">[67] by November 1985 Nathan-Turner confirmed at a convention that the script had been dropped.<sup class="reference" id="cite_ref-dwm229b_66-7">[67] The "Space Whale" concept was eventually revised and realised in the 2010 episode The Beast Below. It was later adapted as The Song of Megaptera by Mills for Big Finish's The Lost Stories in May 2010.

[edit] "Untitled storyline (Brosnan)"
Written by John Brosnan submitted this idea some time after Bidmead became script editor in January 1980.<sup class="reference" id="cite_ref-bhott_lostunt_4-26">[5] The story would have involved the Doctor arriving at the BBC Television Centre and meeting Tom Baker.<sup class="reference" id="cite_ref-bhott_lostunt_4-27">[5] The two would then pair up to combat a threat.<sup class="reference" id="cite_ref-bhott_lostunt_4-28">[5]

[edit] The Enemy Within
Written by Christopher Priest, the opportunity to write this four-part story<sup class="reference" id="cite_ref-dwm292c_102-0">[103] was offered to Priest after his previous script, Sealed Orders, had been cancelled.<sup class="reference" id="cite_ref-dwm292c_102-1">[103] The scene breakdown was commissioned on 5 December 1980<sup class="reference" id="cite_ref-eighties31_103-0">[104] and the scripts on 6 February 1981.<sup class="reference" id="cite_ref-eighties31_103-1">[104] The story dealt with the 'secret' of what actually powered the TARDIS<sup class="reference" id="cite_ref-dwm292c_102-2">[103] and was designed to write out the character of Adric.<sup class="reference" id="cite_ref-dwm292c_102-3">[103] After hearing nothing from the production office with regard to his completed scripts or his payment for them, Priest made contact with John Nathan-Turner.<sup class="reference" id="cite_ref-dwm292c_102-4">[103] He was told that the scripts were unusable and that he would not be paid.<sup class="reference" id="cite_ref-dwm292d_104-0">[105] After a bitter dispute Priest was paid and both Nathan-Turner and Eric Saward forced to pen a letter of apology over their treatment of the writer.<sup class="reference" id="cite_ref-dwm292d_104-1">[105] The script was replaced by Saward's script Earthshock.

[edit] Genesis of the Cybermen
Written by Gerry Davis, this four-part story<sup class="reference" id="cite_ref-bhott_lostgl_0-21">[1] was submitted on spec to the production office around February 1982.<sup class="reference" id="cite_ref-dwmse9j_105-0">[106] It concerned the Doctor arriving on Mondas at a point in time when the Cybermen are being created.<sup class="reference" id="cite_ref-dwmse9j_105-1">[106] This idea would be later explored in the Big Finish audio adventure Spare Parts by Marc Platt and released in July 2002. In turn Spare Parts was heavily borrowed from for the television episodes Rise of the Cybermen and The Age of Steel in 2006.

[edit] Hebos
Written by Rod Beacham, a scene breakdown for this four-part story<sup class="reference" id="cite_ref-bhott_lostgl_0-22">[1] was commissioned on 5 December 1980.<sup class="reference" id="cite_ref-eighties31_103-2">[104]

[edit] Project Zeta Sigma
The Fifth Doctor's first story was originally intended to be the four-part Project Zeta Sigma, written by John Flanagan & Andrew McCulloch.<sup class="reference" id="cite_ref-eighties28_106-0">[107] It was not intended to follow on directly from the events of Logopolis; instead, the Doctor and his companions would have already left Earth. The story was to concern nuclear disarmament.<sup class="reference" id="cite_ref-bhott_castrovalva_107-0">[108] Commissioned as Project '4G' on 7 October 1980,<sup class="reference" id="cite_ref-eighties28_106-1">[107] the script proved unworkable, and producer John Nathan-Turner dropped the story on 19 February 1981.<sup class="reference" id="cite_ref-dwmse1_108-0">[109] He then commissioned recently departed script editor Christopher H. Bidmead to write a replacement which became Castrovalva. This last minute change disrupted the shooting schedule, meaning that Castrovalva would be the fourth serial of the series filmed, though it would be the first transmitted.<sup class="reference" id="cite_ref-bhott_castrovalva_107-1">[108]

[edit] The Psychrons
Written by Terence Greer, a scene breakdown for this four-part story<sup class="reference" id="cite_ref-bhott_lostmq_49-19">[50] was commissioned on 13 June 1980.<sup class="reference" id="cite_ref-eighties31_103-3">[104]

[edit] The Torson Triumvirate
Written by Andrew Smith, a scene breakdown for this four-part story <sup class="reference" id="cite_ref-bhott_lostrz_16-27">[17] set on present-day Earth<sup class="reference" id="cite_ref-bhott_lostrz_16-28">[17] was commissioned on 25 November 1980.<sup class="reference" id="cite_ref-eighties31_103-4">[104] The story was still under consideration in April 1981.<sup class="reference" id="cite_ref-bhott_lostrz_16-29">[17]

[edit] Parasites
Written by Bill Lyons and also known as The Parasites, a scene breakdown was commissioned on 22 September 1981,<sup class="reference" id="cite_ref-eighties37_98-4">[99] with the scripts commissioned on 16 February & 23 April 1982<sup class="reference" id="cite_ref-eighties37_98-5">[99] by which point it was being considered for series 21.<sup class="reference" id="cite_ref-dwmse1a_109-0">[110]

[edit] Way Down Yonder
Written by Lesley Elizabeth Thomas, a scene breakdown for this four-part story<sup class="reference" id="cite_ref-bhott_lostrz_16-30">[17] was commissioned on 23 April 1981.<sup class="reference" id="cite_ref-eighties37_98-6">[99] The story was abandoned at some point after November 1981.<sup class="reference" id="cite_ref-bhott_lostrz_16-31">[17]

[edit] "Untitled storyline (Lee)"
Written by Tanith Lee, the scripts for this four-part story were commissioned on 6 February 1981.<sup class="reference" id="cite_ref-eighties37_98-7">[99]

[edit] The Six Doctors
Written by Robert Holmes,<sup class="reference" id="cite_ref-eighties48_110-0">[111] this story was planned as the 20th anniversary special.<sup class="reference" id="cite_ref-bhott_lostrz_16-32">[17] The 90 minute single-part story<sup class="reference" id="cite_ref-bhott_lostrz_16-33">[17] was commissioned on 2 August 1982<sup class="reference" id="cite_ref-bhott_lostrz_16-34">[17] and would involve the various Doctors and companions drawn to the planet Maladoom<sup class="reference" id="cite_ref-bhott_lostrz_16-35">[17] where they are trapped by the Master who is working for the Cybermen.<sup class="reference" id="cite_ref-bhott_lostrz_16-36">[17] The Cybermen want to isolate the genetic material that permits Time Lords to time travel freely so that they can incorporate that information into their own biology.<sup class="reference" id="cite_ref-bhott_lostrz_16-37">[17] Holmes made little headway with the script and withdrew from the project on 13 October 1982.<sup class="reference" id="cite_ref-bhott_lostrz_16-38">[17] Holmes would later use part of the storyline in The Two Doctors.<sup class="reference" id="cite_ref-bhott_lostrz_16-39">[17]

[edit] Children of Seth
After completing Snakedance, Saward requested that writer Christopher Bailey devise another story.<sup class="reference" id="cite_ref-bhott_lostmq_49-20">[50] The initial outline for May Time was commissioned on 24 August 1982<sup class="reference" id="cite_ref-eighties54_111-0">[112] and was about the Doctor and his companions arriving at the court of Byzantium.<sup class="reference" id="cite_ref-bhott_lostmq_49-21">[50] Full scripts were commissioned on 16 September 1982 with the new title Man-watch,<sup class="reference" id="cite_ref-eighties54_111-1">[112] but the scripts were dropped from production for unclear reasons. A second attempt at the story under the title Children of Seth was attempted as a Sixth Doctor story, for which the scripts commissioned on 14 July 1983.<sup class="reference" id="cite_ref-eighties54_111-2">[112] This failed because of Bailey's failure to devise a structure for the new doctor's new 45 minute episode format and a tangible villan for the Doctor to face.<sup class="reference" id="cite_ref-bhott_lostmq_49-22">[50] It was later adapted as The Children of Seth by Marc Platt for Big Finish's The Lost Stories in December 2011. This version reverts to the TARDIS crew of the Fifth Doctor, Tegan and Nyssa.<sup class="reference" id="cite_ref-dwm431_112-0">[113]

[edit] Circus of Destiny
Written by Ben Steed, this two-part story was delivered in January 1983.<sup class="reference" id="cite_ref-dwmse3_113-0">[114]

[edit] The Darkness
Eric Pringle submitted this storyline for a four-part story<sup class="reference" id="cite_ref-bhott_lostaf_11-38">[12] to the production office in August 1981.<sup class="reference" id="cite_ref-eighties54_111-3">[112]

[edit] The Dark Samurai
Written by Andrew Smith, this story was submitted to the production office around 1983<sup class="reference" id="cite_ref-bhott_lostaf_11-39">[12] and was to have been set in early Nineteenth century Japan.<sup class="reference" id="cite_ref-bhott_lostaf_11-40">[12]

[edit] The Elite
Written by Barbara Clegg this was submitted in late 1982.<sup class="reference" id="cite_ref-dwmse3_113-1">[114] It dealt with a race of intelligent youths controlled by a lone Dalek.<sup class="reference" id="cite_ref-dwmse3_113-2">[114] It was later adapted by John Dorney for Big Finish's The Lost Stories in October 2011.

[edit] Ghost Planet
Written by Robin Squire, a scene breakdown commissioned on 5 January 1983<sup class="reference" id="cite_ref-eighties54_111-4">[112] and the scripts on 20 May 1983.<sup class="reference" id="cite_ref-eighties54_111-5">[112]

[edit] Hex
Written by Peter Ling & Hazel Adair, this story developed out of plans by producer Nathan-Turner to create a sequel to 1960s soap opera Compact, entitled Impact.<sup class="reference" id="cite_ref-dwm213_114-0">[115] When, after drafting three or four scripts for the proposed Impact, Nathan-Turner informed the pair that plans for the soap had been cancelled, the producer offered them the opportunity to write for Doctor Who as a form of compensation.<sup class="reference" id="cite_ref-dwm213_114-1">[115] A scene breakdown (whittled down from six parts to four)<sup class="reference" id="cite_ref-dwm214_115-0">[116] was commissioned on 12 July 1983,<sup class="reference" id="cite_ref-eighties72_116-0">[117] but after three months of development on the scripts,<sup class="reference" id="cite_ref-dwm213_114-2">[115] during which the story was restructured into two 45-minute episodes,<sup class="reference" id="cite_ref-dwm213_114-3">[115] it was ultimately rejected.<sup class="reference" id="cite_ref-dwm213_114-4">[115] The plot involves the disappearance of various people on Earth,<sup class="reference" id="cite_ref-dwm213b_117-0">[118] which leads the Doctor and Peri to the planet Hexagora<sup class="reference" id="cite_ref-dwm213b_117-1">[118] where the Doctor becomes romantically involved with Queen Zafia<sup class="reference" id="cite_ref-dwm214b_118-0">[119] who is trying to save the insect race of Hexagora from destruction<sup class="reference" id="cite_ref-dwm213b_117-2">[118] through a plan to infiltrate and take over Earth.<sup class="reference" id="cite_ref-dwm214b_118-1">[119] It was later adapted as Hexagora by Paul Finch for Big Finish's The Lost Stories in November 2011.

[edit] The House That Ur-Cjak Built
Written by Andrew Stephenson,<sup class="reference" id="cite_ref-eighties54_111-6">[112] a scene breakdown was commissioned on 10 June 1982.<sup class="reference" id="cite_ref-eighties54_111-7">[112]

[edit] The Metraki
Written by Andrew Smith, this story was submitted to the production office around 1983.<sup class="reference" id="cite_ref-bhott_lostmq_49-23">[50] This storyline led to Smith being commissioned for The First Sontarans.<sup class="reference" id="cite_ref-bhott_lostmq_49-24">[50]

[edit] Nightmare Country
Written by Stephen Gallagher,<sup class="reference" id="cite_ref-dwm296_119-0">[120] this script was submitted in late 1982<sup class="reference" id="cite_ref-dwmse3_113-3">[114] but rejected by Saward on grounds of cost.<sup class="reference" id="cite_ref-dwmse3_113-4">[114] The four-part story<sup class="reference" id="cite_ref-bhott_lostmq_49-25">[50] would involve the Doctor, Tegan and Turlough testing a Reality Simulator.<sup class="reference" id="cite_ref-bhott_lostmq_49-26">[50] This simulator projects a graveyard world overrun by the Vodyani<sup class="reference" id="cite_ref-bhott_lostmq_49-27">[50] who soon find a way out of the virtual reality and into the real world.<sup class="reference" id="cite_ref-bhott_lostmq_49-28">[50]

[edit] The Place Where All Times Meet
Written by Colin Davis, a scene breakdown was commissioned on 10 June 1982.<sup class="reference" id="cite_ref-eighties54_111-8">[112]

[edit] Poison
Written by Rod Beacham, a screen breakdown was commissioned on 27 April 1982<sup class="reference" id="cite_ref-eighties54_111-9">[112] and the scripts on 27 May 1982.<sup class="reference" id="cite_ref-eighties54_111-10">[112]

[edit] The Rogue TARDIS
Written by Barbara Clegg, this story was submitted in late 1982<sup class="reference" id="cite_ref-dwmse3_113-5">[114] and dealt with the Doctor searching for a missing Time Lord who has regenerated to merge with his TARDIS.<sup class="reference" id="cite_ref-dwmse3_113-6">[114]

[edit] The SCI
Written by William Emms, this four-part storyline<sup class="reference" id="cite_ref-bhott_lostmq_49-29">[50] was discussed but not commissioned<sup class="reference" id="cite_ref-eighties54_111-11">[112] when Emms approached the production office in 1983.<sup class="reference" id="cite_ref-bhott_lostmq_49-30">[50] The story involved the populace of the planet Alden falling under mental domination.<sup class="reference" id="cite_ref-bhott_lostmq_49-31">[50]

[edit] The Underworld
Written by Barbara Clegg, this story was submitted in late 1982<sup class="reference" id="cite_ref-dwmse3_113-7">[114] and saw the Doctor travel down the River Styx in Ancient Greece<sup class="reference" id="cite_ref-dwmse3_113-8">[114] where he would discover an alien race, the Hadeans,<sup class="reference" id="cite_ref-bhott_lostrz_16-40">[17] kidnapping the women of Greece due to their own race being rendered infertile.<sup class="reference" id="cite_ref-bhott_lostrz_16-41">[17]

[edit] Warmongers
Written by Marc Platt and Charles M. Stevens (a pseudonym for J. Jeremy Bentham), this story was submitted on spec in 1983<sup class="reference" id="cite_ref-dwmse3_113-9">[114] and was discussed with Saward but not commissioned.<sup class="reference" id="cite_ref-eighties54_111-12">[112] This story dealt with Sontarans and Rutans in England during the 1940s blitz.<sup class="reference" id="cite_ref-dwmse3_113-10">[114]

[edit] The Zeldan
Written by William Emms, this four-part storyline<sup class="reference" id="cite_ref-bhott_lostrz_16-42">[17] was discussed but not commissioned<sup class="reference" id="cite_ref-eighties54_111-13">[112] when Emms approached the production office in 1983.<sup class="reference" id="cite_ref-bhott_lostmq_49-32">[50]

[edit] Submitted for series 22
All scripts commissioned for this series were done so for the new 45 minute episode format.

[edit] Cat's Cradle
Written by Marc Platt,<sup class="reference" id="cite_ref-eighties126_120-0">[121] this was submitted to Saward in 1984<sup class="reference" id="cite_ref-light_121-0">[122] and rejected for being too ambitious for Doctor Who's budget.<sup class="reference" id="cite_ref-light_121-1">[122] Platt later adapted the story as a novel for the Virgin New Adventures range in February 1992.

[edit] The First Sontarans
Written by Andrew Smith, a scene breakdown had been commissioned on 10 January 1984.<sup class="reference" id="cite_ref-eighties72_116-1">[117] The two-part story<sup class="reference" id="cite_ref-bhott_lostaf_11-41">[12] would have involved the Mary Celeste.<sup class="reference" id="cite_ref-bhott_lostaf_11-42">[12] It was turned down due to the fact that the Sontarans were to appear in The Two Doctors.<sup class="reference" id="cite_ref-dwmse3c_122-0">[123] It was later adapted by Smith for Big Finish as part of their The Lost Stories series in July 2012.

[edit] The Guardians of Prophecy
Written by Johnny Byrne, a plot outline for this story, also known as The Place of Serenity, was submitted to the production office by Byrne in July 1983.<sup class="reference" id="cite_ref-eighties72_116-2">[117] The two-part story<sup class="reference" id="cite_ref-bhott_lostgl_0-23">[1] would have seen the Doctor visit the planet Serenity, which is part of the same union that Traken belonged to.<sup class="reference" id="cite_ref-bhott_lostgl_0-24">[1] The rulers of Serenity are assisted by a computer known as Prophecy<sup class="reference" id="cite_ref-bhott_lostgl_0-25">[1] and the villains of the piece, Auga and Mura,<sup class="reference" id="cite_ref-bhott_lostgl_0-26">[1] are attempting to overthrow the rulers.<sup class="reference" id="cite_ref-bhott_lostgl_0-27">[1] It was later adapted by Jonathan Morris for Big Finish as part of their The Lost Stories series in May 2012.

[edit] Leviathan
Written by Brian Finch. The scripts for the two-part story<sup class="reference" id="cite_ref-dwmse3b_123-0">[124] were commissioned as Livanthian on 14 August 1983.<sup class="reference" id="cite_ref-eighties72_116-3">[117] It was later adapted by Paul Finch (Brian's son) for Big Finish as part of their The Lost Stories series in January 2010.

[edit] The Macros
Written by Ingrid Pitt & Tony Rudlin was conceived of as a four-part Fifth Doctor story<sup class="reference" id="cite_ref-bhott_lostmq_49-33">[50] during the production of Series 21<sup class="reference" id="cite_ref-bhott_lostmq_49-34">[50] before being quickly revised as a two-part Sixth Doctor tale.<sup class="reference" id="cite_ref-bhott_lostmq_49-35">[50] A script for the first episode only was commissioned as The Macro Men on 19 January 1984.<sup class="reference" id="cite_ref-eighties72_116-4">[117] It was later adapted by Pitt & Rudlin for Big Finish as part of their The Lost Stories series in June 2010.

[edit] Volvok
Written by Ian Marter, the script for episode one only had been commissioned as Strange Encounter on 2 February 1984.<sup class="reference" id="cite_ref-eighties72_116-5">[117] The two-part story<sup class="reference" id="cite_ref-bhott_lostrz_16-43">[17] is thought to have dealt with the theme of hospital overcrowding.<sup class="reference" id="cite_ref-eighties72_116-6">[117]

[edit] "Untitled storyline (Bidmead)"
Written by Christopher H. Bidmead, a scene breakdown was commissioned on 19 June 1984.<sup class="reference" id="cite_ref-dwmse3c_122-1">[123]

[edit] "Untitled storyline (Boucher)"
Written by Chris Boucher, a scene breakdown was commissioned on 7 February 1984.<sup class="reference" id="cite_ref-eighties72_116-7">[117]

[edit] The originally planned series 23
When Doctor Who was put on hiatus in February 1985, several completed scripts were already being prepared for the 1986 series (which would retain the format of thirteen 45 minute episodes). Others tales were still in the story-outline stage. All of these scripts were later abandoned to make way for The Trial of a Time Lord, when the series resumed in September 1986.

[edit] The Nightmare Fair
Main article: The Nightmare FairWritten by Graham Williams, this two-part story<sup class="reference" id="cite_ref-dwmse3d_124-0">[125] was commissioned on 25 September 1984 as Arcade<sup class="reference" id="cite_ref-dwmse3d_124-1">[125] and was planned to open the original 23rd series.<sup class="reference" id="cite_ref-eighties83_125-0">[126] Nathan-Turner hoped to have Matthew Robinson direct the adventure.<sup class="reference" id="cite_ref-dwmse3g_126-0">[127] Williams wrote a novelisation of the script which was published by Target Books in May 1989. It was later adapted by John Ainsworth for Big Finish as part of their The Lost Stories series in November 2009.

[edit] The Ultimate Evil
Main article: The Ultimate EvilWritten by Wally K. Daly, this two-part story was planned to be the second story in the original 23rd series.<sup class="reference" id="cite_ref-eighties83_125-1">[126] Nathan-Turner hoped to have Fiona Cumming direct the adventure.<sup class="reference" id="cite_ref-dwmse3g_126-1">[127] Daly wrote a novelization of the script which was published by Target Books in August 1989.

[edit] Mission to Magnus
Main article: Mission to MagnusWritten by Philip Martin, this two-part story was planned to be the third story in the original 23rd series.<sup class="reference" id="cite_ref-eighties84_127-0">[128] Nathan-Turner hoped to have Ron Jones direct the adventure.<sup class="reference" id="cite_ref-dwmse3g_126-2">[127] Martin wrote a novelization of the script which was published by Target Books in July 1990. It was later adapted by Martin for Big Finish as part of their The Lost Stories series in December 2009.

[edit] Yellow Fever and How to Cure It
Yellow Fever and How to Cure It was a three-part story by Robert Holmes that would have taken place in Singapore and featured the Autons as the monsters, with both the Rani, the Master appearing.<sup class="reference" id="cite_ref-eighties84_127-1">[128] The first episode was commissioned on 26 October 1984, before being put on hold.<sup class="reference" id="cite_ref-eighties84_127-2">[128] The entire story was subsequently commissioned on 6 February 1986,<sup class="reference" id="cite_ref-eighties84_127-3">[128] only a couple of weeks before news of the planned hiatus broke. Nathan-Turner hoped to have Graeme Harper direct the adventure.<sup class="reference" id="cite_ref-dwmse3g_126-3">[127] After the news of the hiatus, Holmes was asked by the production team to continue with the story but as six 25 minute episodes,<sup class="reference" id="cite_ref-eighties84_127-4">[128] this version seeing the removal of the Master from the plot.<sup class="reference" id="cite_ref-dwmse3f_128-0">[129] Holmes reportedly only completed a story outline before the planned Series 23 was completely canceled.<sup class="reference" id="cite_ref-handbooksixth_207_208_129-0">[130]

[edit] In the Hollows of Time
Commissioned as a two-part story from Christopher H. Bidmead on 21 November 1984.<sup class="reference" id="cite_ref-eighties84_127-5">[128] After the news of the hiatus, Bidmead was asked by the production team to continue with the story but as four 25 minute episodes.<sup class="reference" id="cite_ref-eighties84_127-6">[128] It was later adapted as The Hollows of Time by Bidmead for Big Finish as part of their The Lost Stories series in June 2010.

[edit] The Children of January
Written by Michael Feeney Callan, this story was commissioned on 5 February 1985.<sup class="reference" id="cite_ref-dwmse3d_124-2">[125] After the news of the hiatus, Callan was asked by the production team to continue with the story but as four 25 minute episodes.<sup class="reference" id="cite_ref-eighties84_127-7">[128] It had been planned that an adaptation of this story would appear as part of Big Finish's The Lost Stories range, but fell through due to the author's other commitments and was replaced by The Macros.<sup class="reference" id="cite_ref-bf_s23-2_130-0">[131]

[edit] Dark Labyrinth
Written by David Banks, the story was rejected by Saward for being too costly to realise.<sup class="reference" id="cite_ref-bhott_lostaf_11-43">[12]

[edit] Doomwraiths
Written by Philip Martin, this story was submitted on 28 December 1983<sup class="reference" id="cite_ref-dwmse3b_123-1">[124] and dealt with an alien race returning to Earth to discover their "humanity" experiment has failed.<sup class="reference" id="cite_ref-dwmse3_113-11">[114] On 9 March 1984,<sup class="reference" id="cite_ref-bhott_lostaf_11-44">[12] Saward noted that the story idea would need further development before he could assess it for commissioning.<sup class="reference" id="cite_ref-bhott_lostaf_11-45">[12]

[edit] Flipback
Written by David Banks.<sup class="reference" id="cite_ref-dwmse10_131-0">[132]

[edit] Gallifrey
Gallifrey was a Pip & Jane Baker script for four 25-minute episodes<sup class="reference" id="cite_ref-dwmse3e_132-0">[133] that was commissioned on 11 March 1985<sup class="reference" id="cite_ref-eighties84_127-8">[128] in the wake of the hiatus announcement, that reportedly would have dealt with the destruction of the Doctor's aforementioned home planet.<sup class="reference" id="cite_ref-eighties84_127-9">[128] The concept of Gallifrey's destruction was briefly revived for the proposed interregnum feature film version of Doctor Who (see "Proposed films" below) before being incorporated into the Doctor's backstory beginning in the 2005 series.

[edit] Iceberg
Written by David Banks,<sup class="reference" id="cite_ref-bhott_lostgl_0-28">[1] the writer proposed the story around the time that he was engaged to play the Cyberleader in Attack of the Cybermen.<sup class="reference" id="cite_ref-bhott_lostgl_0-29">[1] Banks later adapted the story as a novel for the Virgin New Adventures range in September 1993.

[edit] League of the Tancreds
Written by Peter Grimwade, this two-part story<sup class="reference" id="cite_ref-bhott_lostgl_0-30">[1] was commissioned on 13 August 1984<sup class="reference" id="cite_ref-dwmse3c_122-2">[123] and abandoned on 8 November 1984<sup class="reference" id="cite_ref-dwmse3d_124-3">[125] after the completion of a scene breakdown.<sup class="reference" id="cite_ref-eighties84_127-10">[128]

[edit] Meltdown
Written by Gary Hopkins,<sup class="reference" id="cite_ref-dwmse3e_132-1">[133] this story reunites the Doctor with his former companion, Victoria Waterfield, now crusading against nuclear waste. It was later adapted as Power Play by Hopkins for Big Finish's The Lost Stories range in June 2012.

[edit] Point of Entry
Written by Barbara Clegg, this storyline involved the Doctor and Peri in Elizabethan London as an alien race, the Omnim, return via an Aztec knife.<sup class="reference" id="cite_ref-dwmse3e_132-2">[133] It was also to feature Christopher Marlowe.<sup class="reference" id="cite_ref-dwmse3e_132-3">[133] It was later adapted by Marc Platt for Big Finish as part of their The Lost Stories series in April 2010.

[edit] Space Sargasso
Written by Philip Martin, this story was submitted on 28 December 1983<sup class="reference" id="cite_ref-dwmse3b_123-2">[124] and had the TARDIS pulled to a spaceship graveyard controlled by the Master.<sup class="reference" id="cite_ref-dwmse3_113-12">[114] On 9 March 1984<sup class="reference" id="cite_ref-bhott_lostrz_16-44">[17] Saward felt that the story idea needed further work before it could be considered for commissioning.<sup class="reference" id="cite_ref-bhott_lostrz_16-45">[17]

[edit] Valley of Shadows
Written by Philip Martin, this story was submitted on 28 December 1983<sup class="reference" id="cite_ref-dwmse3b_123-3">[124] and had the Doctor travel into the Egyptian underworld to save Peri.<sup class="reference" id="cite_ref-dwmse3_113-13">[114] On 9 March 1984<sup class="reference" id="cite_ref-bhott_lostrz_16-46">[17] Saward felt that the story idea needed further work before it could be considered for commissioning.<sup class="reference" id="cite_ref-bhott_lostrz_16-47">[17]

[edit] "Untitled storyline (Pritchard)"
Written by Bill Pritchard.<sup class="reference" id="cite_ref-dwmse3e_132-4">[133]

[edit] "Untitled storyline (Wolfman)"
Written by Jonathan Wolfman.<sup class="reference" id="cite_ref-dwmse3e_132-5">[133]

[edit] The Trial of a Time Lord candidates
After the decision was taken to cancel all the stories previously commissioned for series 23, new stories were sought for the shortened 14 episode series. The plan was for three production blocks, divided up into two four-episode lots and one block of six episodes. Robert Holmes was assigned the opening four-part story and Philip Martin the second four-part story. The final six episodes were to be broken up into three two-part stories.

[edit] Attack from the Mind
Writer David Halliwell<sup class="reference" id="cite_ref-handbooksixth_211_133-0">[134] was approached by Eric Saward in early July 1985 as a prospective writer for the "new" series 23.<sup class="reference" id="cite_ref-dwm201_134-0">[135] Halliwell submitted his untitled first draft of the then untitled two-part story<sup class="reference" id="cite_ref-dwm201b_135-0">[136] to the production office in late July 1985.<sup class="reference" id="cite_ref-dwm201_134-1">[135] The story dealt with a conflict between the ugly looking Freds and the beautiful Penelopeans.<sup class="reference" id="cite_ref-dwm201_134-2">[135] Work on a second draft began on 14 August 1985<sup class="reference" id="cite_ref-dwm201b_135-1">[136] and was completed by 22 August 1985,<sup class="reference" id="cite_ref-dwm201b_135-2">[136] with a third draft submitted on 11 September 1985.<sup class="reference" id="cite_ref-dwm201b_135-3">[136] Saward spent much time with Halliwell on further drafts, changing the name of the Freds to Trikes.<sup class="reference" id="cite_ref-dwm201b_135-4">[136] The fourth revision was delivered on 26 September 1985<sup class="reference" id="cite_ref-dwm201c_136-0">[137] and 7 October 1985 saw a fifth draft arrive at the production office.<sup class="reference" id="cite_ref-dwm201c_136-1">[137] Halliwell received a letter from Saward on 18 October 1985, advising him that Attack from the Mind had been cancelled.<sup class="reference" id="cite_ref-dwm201c_136-2">[137] ====[edit] The Second Coming<sup class="Template-Fact" style="white-space: nowrap;">[citation needed] ==== Jack Trevor Story<sup class="reference" id="cite_ref-eighties89_137-0">[138] was invited to the same series briefing as Halliwell,<sup class="reference" id="cite_ref-dwm201_134-3">[135] and this two-part story<sup class="reference" id="cite_ref-dwm201b_135-5">[136] was meant to share sets with Attack from the Mind<sup class="reference" id="cite_ref-dwm201b_135-6">[136] as well as being linked narratively.<sup class="reference" id="cite_ref-dwm201b_135-7">[136]

With the dismissal of Halliwell and Story's scripts, Saward looked to replace them with a single four-part adventure.

[edit] Pinacotheca
Written by Christopher H. Bidmead, the story was commissioned on 29 October 1985 as The Last Adventure,<sup class="reference" id="cite_ref-eighties90_138-0">[139] with second draft scripts of all four episodes delivered by 9 January 1986.<sup class="reference" id="cite_ref-eighties90_138-1">[139] The story was dropped on 7 February 1986.<sup class="reference" id="cite_ref-eighties90_138-2">[139]

[edit] Paradise Five
Written by P.J. Hammond, the story was commissioned as End of Term on 10 February 1986<sup class="reference" id="cite_ref-eighties90_138-3">[139] as a replacement for Pinacotheca. It involved the Doctor investigating the resort of Paradise Five, while Mel goes undercover as a hostess.<sup class="reference" id="cite_ref-dwm203_139-0">[140] When this script too failed, it was replaced in turn by Pip & Jane Baker's Terror of the Vervoids. It was later adapted as Paradise 5 by Andy Lane for Big Finish as part of their The Lost Stories series in March 2010.

[edit] Time Inc
Time Inc was the title for the concluding two-part story-arc as to have originally been written by Robert Holmes when commissioned on 4 February 1986.<sup class="reference" id="cite_ref-eighties91_140-0">[141] However, Holmes was unable to work on the script past the first part due to his untimely death on 24 May 1986.<sup class="reference" id="cite_ref-eighties91_140-1">[141] Script editor Eric Saward was tasked with completing the story, his version of the script ending with the Doctor and the Valeyard locked in battle in the time vortex and no clear victor. This was disapproved by series producer John Nathan-Turner as being too down-beat and would end the show on an inconclusive moment should the BBC decide to cancel the series.<sup class="reference" id="cite_ref-eighties89_137-1">[138] The final episode was subsequently commissioned from Pip & Jane Baker by Nathan-Turner after Saward quit as script editor following the rejection of his proposed ending.

[edit] Mel introduction story
According to his book Doctor Who: The Companions (published at about the time The Trial of a Time Lord was broadcast), series producer John Nathan-Turner intended to chronicle the Doctor's first meeting with Melanie Bush in a later episode.<sup class="reference" id="cite_ref-companions_141-0">[142] The subsequent dismissal of Colin Baker from the role of the Doctor rendered this potential storyline moot, although the later novel Business Unusual by Gary Russell, that was published in September 1997, would attempt to fill in this gap in the show's continuity.<sup class="reference" id="cite_ref-businessunusual_142-0">[143]

[edit] Alixion
Written by Robin Mukherjee, this three-part story<sup class="reference" id="cite_ref-dwm292d_104-2">[105] had been considered for series 26 as the "spare" script<sup class="reference" id="cite_ref-dwm255a_143-0">[144] should another planned story become no longer suitable. The adventure was to take place on monastic planet<sup class="reference" id="cite_ref-dwm255a_143-1">[144] inhabited by humans and large beetles.<sup class="reference" id="cite_ref-dwm292d_104-3">[105] The humans were monks who worked to provide a special elixir that enhanced intelligence.<sup class="reference" id="cite_ref-dwm292d_104-4">[105] This elixir would be produced by the beetles are feeding on intelligent beings and the abbot of the monastery wants to feed the doctor to the beetles in order to produce a more potent elixir for himself.<sup class="reference" id="cite_ref-dwm292d_104-5">[105] The script was not completed beyond a partial storyline,<sup class="reference" id="cite_ref-dwm292d_104-6">[105] Mukherjee unsure how events would have been resolved beyond a contest of wills between the Doctor and the abbot.<sup class="reference" id="cite_ref-dwm292d_104-7">[105]

[edit] Avatar
Written by David A. McIntee, this was a four-part<sup class="reference" id="cite_ref-dwm255b_144-0">[145] Lovecraftian horror story<sup class="reference" id="cite_ref-eighties126_120-1">[121] set in Arkham, New England<sup class="reference" id="cite_ref-dwm255b_144-1">[145] in 1927,<sup class="reference" id="cite_ref-eighties126_120-2">[121] although McIntee later began a rewrite to shift the action to Cornwall.<sup class="reference" id="cite_ref-dwm255b_144-2">[145] The story was based around alien bodysnatchers who could only inhabit the bodies of the dead.<sup class="reference" id="cite_ref-dwm255b_144-3">[145] The villain of the piece would discover the remains of a Silurian god and try and clone itself a new body from the fossilized body.<sup class="reference" id="cite_ref-dwm255b_144-4">[145]

[edit] Illegal Alien
Written by Mike Tucker & Robert Perry, this was a three-part Cybermen story set in war-torn London of the 1940s.<sup class="reference" id="cite_ref-dwm255a_143-2">[144] They had completed the first two episodes in script form and the final episode as a storyline, and were planning to submit it during the start of production on series 26.<sup class="reference" id="cite_ref-dwm255a_143-3">[144] Fellow writer Ben Aaronovitch intercepted the script, suggesting that submitting to script editor Andrew Cartmel a World War II script when he was currently already editing something similar (The Curse of Fenric) was a mistake and to instead submit it for the following series.<sup class="reference" id="cite_ref-dwm255a_143-4">[144] Tucker & Perry later adapted the story as a novel for the BBC Past Doctors range in October 1997.

[edit] Lungbarrow
Written by Marc Platt.<sup class="reference" id="cite_ref-eighties126_120-3">[121] Platt later adapted the story as a novel for the Virgin New Adventures range in March 1997.

[edit] Shrine
In 1988<sup class="reference" id="cite_ref-dwm306a_145-0">[146] writer Marc Platt discussed with script editor Andrew Cartmel an idea inspired by Leo Tolstoy's War and Peace,<sup class="reference" id="cite_ref-light_121-2">[122] concerning stone-headed aliens<sup class="reference" id="cite_ref-eighties126_120-4">[121] looking for their God-King<sup class="reference" id="cite_ref-light_121-3">[122] in Tsarist 19th Century Russia.<sup class="reference" id="cite_ref-dwm306a_145-1">[146]

[edit] Under consideration for series 27
Before the original Doctor Who series reached its conclusion, some tentative plans had been made for a proposed 27th series under the assumption that it would maintain the then-current pattern of two four-part and two three-part stories. As noted in each entry, Big Finish Productions has produced audio adaptations of several scripts as part of their The Lost Stories releases. The safecracking companion introduced in Crime of the Century (see below), who was never named during the planning, has now been given a name, that of Raine Creevey, and she is portrayed by Beth Chalmers.<sup class="reference" id="cite_ref-dwm420_146-0">[147]

[edit] Earth Aid
The opening three-part, studio-bound story<sup class="reference" id="cite_ref-eighties171_147-0">[148] was to be by Ben Aaronovitch; a space opera featuring a race of samurai insect-like aliens called the Metatraxi.<sup class="reference" id="cite_ref-endgame_2600_148-0">[149] Earth Aid was to open with Ace in the captain's chair of a starship,<sup class="reference" id="cite_ref-endgame_2600_148-1">[149] and the story would concern the politics of humanitarian aid.<sup class="reference" id="cite_ref-endgame_2600_148-2">[149] The Metatraxi were originally conceived as part of a stage play entitled War World.<sup class="reference" id="cite_ref-endgame_2600_148-3">[149] The Metatraxi were later used in Lawrence Miles' spin-off novel Alien Bodies.<sup class="reference" id="cite_ref-alienbodies_149-0">[150] Earth Aid (a title invented by Dave Owen for his "27 up" article in DWM<sup class="reference" id="cite_ref-dwm255d_150-0">[151] ) was later adapted by Aaronovitch and Cartmel for Big Finish's The Lost Stories range in July 2011. Cartmel is on record as preferring the title Bad Destination.<sup class="reference" id="cite_ref-dwm433_151-0">[152]

[edit] Thin Ice
This four-parter, the second story of the proposed series,<sup class="reference" id="cite_ref-dwm255d_150-1">[151] was to have been written by Marc Platt and was due to feature Ice Warriors in a London of 1968.<sup class="reference" id="cite_ref-eighties172_152-0">[153] It would have seen the departure of Ace<sup class="reference" id="cite_ref-dwm255d_150-2">[151] to the Prydonian Academy to become a Time Lord.<sup class="reference" id="cite_ref-eighties172_152-1">[153] <sup class="reference" id="cite_ref-endgame_153-0">[154] The story was to introduce a character with underworld connections who was intended to become a recurring character similar to the Brigadier.<sup class="reference" id="cite_ref-dwm255d_150-3">[151] The character would have a daughter born at the conclusion of the adventure who would be named by the Doctor.<sup class="reference" id="cite_ref-eighties172_152-2">[153] The plot would have featured an Ice Warrior's armour in the London Dungeon<sup class="reference" id="cite_ref-dwm255d_150-4">[151] and two reincarnated Warriors continuing a long rivalry.<sup class="reference" id="cite_ref-dwm255d_150-5">[151] Platt also intended to have bikers being controlled by the Ice Warriors (and wearing similar helmets), scenes on a terraformed pastoral Mars, and a more mystical bent to the aliens while deepening their history.<sup class="reference" id="cite_ref-dwm306b_154-0">[155] Marc Platt has revealed that the name Ice Time was "only ever invented for an article in Doctor Who Magazine" (Dave Owen's "27 up" article).<sup class="reference" id="cite_ref-155">[156] It was later adapted by Platt for Big Finish's The Lost Stories range in April 2011.

[edit] Crime of the Century
Was to have been written by Andrew Cartmel, and would have introduced a cat burglar/safecracker as the next companion.<sup class="reference" id="cite_ref-eighties172_152-3">[153] The character with underworld connections from Thin Ice would be featured as an older individual and the father of the new companion.<sup class="reference" id="cite_ref-eighties172_152-4">[153] Crime of the Century (another title invented by Owen for "27 up") was later adapted by Cartmel for Big Finish's The Lost Stories range in May 2011. Cartmel would have preferred to call the story Action at a Distance.<sup class="reference" id="cite_ref-dwm433_151-1">[152]

[edit] Animal
Cartmel had wanted to pen a story of his own.<sup class="reference" id="cite_ref-dwm255a_143-5">[144] Animal (another title invented by Owen for "27 up") was later adapted by Cartmel for Big Finish's The Lost Stories range in June 2011. Cartmel would have preferred to call the story Blood and Iron.<sup class="reference" id="cite_ref-dwm433_151-2">[152]

[edit] Hostage
Written by Neil Penswick, this was a three-part<sup class="reference" id="cite_ref-dwm255c_156-0">[157] futuristic thriller in which a group of soldiers are hunting down two shape-changing criminals called Butler and Swarfe.<sup class="reference" id="cite_ref-dwm255c_156-1">[157] The cliffhanger to part one had Swarfe changing into a monster who then went on the hunt in part two.<sup class="reference" id="cite_ref-dwm255c_156-2">[157] Penswick later adapted some material from this for his Virgin New Adventures novel The Pit in March 1993.

[edit] Night Thoughts
Written by Edward Young, this is a horror story set in an isolated house.<sup class="reference" id="cite_ref-dwm255a_143-6">[144] It would feature a group of university staff, one who was a cripple, trapped in the house during winter.<sup class="reference" id="cite_ref-dwm255a_143-7">[144] One of the characters would turn out to be a murderer.<sup class="reference" id="cite_ref-dwm255a_143-8">[144] The story took its name and theme from the poem Night-Thoughts by Edward Young, namesake of the story's writer. It was later adapted by Young for Big Finish in February 2006. The adaptation featured the Seventh Doctor and Ace, as well as Big Finish-original companion Hex.

[edit] A School for Glory
Written by Tony Etchells & an unidentified writer, this was to be set during the Great War.<sup class="reference" id="cite_ref-dwm255b_144-5">[145] The narrative was planned to alternate between the trenches and a British country house doubling as an army academy.<sup class="reference" id="cite_ref-dwm255b_144-6">[145]

[edit] Lost in the Dark Dimension
The first time the idea of a special video-only anniversary special was mooted was in a memo Nathan-Turner wrote to Head of Video Production Penny Mills on 18 February 1992.<sup class="reference" id="cite_ref-nothinglane87_157-0">[158] With Tom Baker not adverse to appearing should conditions be met,<sup class="reference" id="cite_ref-nothinglane88_158-0">[159] serious thought was given to an original production.<sup class="reference" id="cite_ref-nothinglane88_158-1">[159] June 1992 saw a meeting to discuss the concept of the special<sup class="reference" id="cite_ref-nothinglane89_159-0">[160] and by 21 July 1992<sup class="reference" id="cite_ref-nothinglane89_159-1">[160] writer Adrian Rigelsford (later joined by Joanna McCaul) had completed an initial outline for the story entitled Timeflyers.<sup class="reference" id="cite_ref-nothinglane89_159-2">[160] Shortly afterwards the project was given the cover name The Environment Roadshow.<sup class="reference" id="cite_ref-nothinglane89_159-3">[160] A production office was opened for the project in the first week of September 1992<sup class="reference" id="cite_ref-nothinglane91_160-0">[161] with shooting planned for January–February 1993.<sup class="reference" id="cite_ref-nothinglane91_160-1">[161] The script was sent to Peter Cregeen on 22 March 1993,<sup class="reference" id="cite_ref-nothinglane92_161-0">[162] indicating at the same time that Graeme Harper was being looked at as a potential director for the special.<sup class="reference" id="cite_ref-nothinglane93_162-0">[163] However issues with budgets continued to plague the production<sup class="reference" id="cite_ref-nothinglane92_161-1">[162] and shooting slipped to taking place November–December 1994<sup class="reference" id="cite_ref-nothinglane93_162-1">[163] with a final delivery date of 14 March 1994.<sup class="reference" id="cite_ref-nothinglane93_162-2">[163] Around mid-May Cregeen indicated that he'd like to see the special broadcast on the BBC in November 1993.<sup class="reference" id="cite_ref-nothinglane96_163-0">[164] By the end of May 1993 the project was now being referred to as The Dark Dimension<sup class="reference" id="cite_ref-nothinglane96_163-1">[164] before a new working title of Lost in the Dark Dimension was settled on.<sup class="reference" id="cite_ref-nothinglane96_163-2">[164] Harper was contracted as the director of the special in June 1993<sup class="reference" id="cite_ref-nothinglane98_164-0">[165] and intended Rik Mayall to play the part of the villain, Hawkspur.<sup class="reference" id="cite_ref-nothinglane98_164-1">[165] What was hoped to be the final shooting script was completed on 21 June 1993<sup class="reference" id="cite_ref-nothinglane101_165-0">[166] and with the production now aimed for broadcast than a direct-to-video release,<sup class="reference" id="cite_ref-nothinglane100_166-0">[167] Alan Yentob gave the special the green light<sup class="reference" id="cite_ref-nothinglane101_165-1">[166] with the plan to have the completed project delivered by 27 November 1993.<sup class="reference" id="cite_ref-nothinglane101_165-2">[166] By the start of July 1993<sup class="reference" id="cite_ref-nothinglane107_167-0">[168] budget issues continued to plague the production<sup class="reference" id="cite_ref-nothinglane107_167-1">[168] and on 9 July 1993 the project was officially cancelled.<sup class="reference" id="cite_ref-nothinglane110_168-0">[169] With the project sunk, the 30th anniversary was instead celebrated with the light-hearted charity special Dimensions in Time and the documentary 30 Years in the TARDIS. The BBC press release hinted at the plot with the following: ''The future? The Earth is dying under the onslaught of industry, the polar caps are melting, the ozone layer is nearly destroyed... To save the planet, the Doctor must overcome the combined forces of some of the most feared of his old adversaries. But he must also confront a far greater enemy - one that has already reverted him to his Fourth Incarnation - in order to save both the past and future Doctors before they are taken out of time and cease to exist.''<sup class="reference" id="cite_ref-nothinglane105_169-0">[170]

[edit] 1990s US reboot - Leekley bible
Early in the process that was to lead to the 1996 Doctor Who film, Universal Television had Amblin Entertainment produce a writers' bible which detailed John Leekley's proposed pilot and episodes of a new series.<sup class="reference" id="cite_ref-segal42_170-0">[171] The new series would have established a new continuity rather than following on from the classic series,<sup class="reference" id="cite_ref-segal42_170-1">[171] and the bible reused many elements from the classic series. It is unclear whether clearance could have been obtained for all the episodes detailed, as the costs would likely have fallen to the BBC.<sup class="reference" id="cite_ref-segal42_170-2">[171]

The pilot was to feature the half-human Doctor seeking his father, Ulysses, through various time periods—contemporary Gallifrey (where Borusa dies and is merged with the TARDIS, and the Master becomes leader of the Time Lords), England during the Blitz, Ancient Egypt, and Skaro (where the Daleks are being created).<sup class="reference" id="cite_ref-171">[172] Other proposed episodes in the bible included The Pirates, in which the Doctor teamed up with Blackbeard,<sup class="reference" id="cite_ref-segal53_172-0">[173] and several remakes of stories from the classic series, including: Earlier versions of the bible included, among others: Leekley's scripts were not well received at Amblin or elsewhere; and in September 1994, he was removed from the project.<sup class="reference" id="cite_ref-177">[178]
 * The Talons of Weng-Chiang, set in New York<sup class="reference" id="cite_ref-segal53_172-1">[173]
 * Earthshock, featuring the "Cybs" (Leekley's more piratical version of the Cybermen)<sup class="reference" id="cite_ref-segal53_172-2">[173]
 * Horror of Fang Rock<sup class="reference" id="cite_ref-segal53_172-3">[173]
 * The Celestial Toymaker, who was to have been under the control of the Master.<sup class="reference" id="cite_ref-segal54_173-0">[174]
 * Don't Shoot, I'm the Doctor, a more historically accurate<sup class="reference" id="cite_ref-174">[175] remake of The Gunfighters<sup class="reference" id="cite_ref-segal55_175-0">[176]
 * Tomb of the Cybs, a remake of The Tomb of the Cybermen in which the Cybs are awoken by the Master<sup class="reference" id="cite_ref-segal55_175-1">[176]
 * The Yeti, a remake of The Abominable Snowmen featuring the Dalai Lama and Sir Edmund Hillary<sup class="reference" id="cite_ref-segal55_175-2">[176]
 * The Ark in Space<sup class="reference" id="cite_ref-segal55_175-3">[176]
 * The Cybs, a story set on Mars in which the Doctor escapes capture by hiding in a gold mine<sup class="reference" id="cite_ref-segal55_175-4">[176]
 * A remake of The Sea Devils, set in a Louisiana oil rig<sup class="reference" id="cite_ref-segal55_175-5">[176]
 * The Outcasts, in which the Cybs would attack Gallifreyan outcasts<sup class="reference" id="cite_ref-segal55_175-6">[176]
 * The Land of Fear, a conflation of The Reign of Terror and The Claws of Axos<sup class="reference" id="cite_ref-segal56_176-0">[177]
 * A remake of The Dæmons, set in Salem, Massachusetts<sup class="reference" id="cite_ref-segal56_176-1">[177]
 * A completed version of Shada, which would have introduced Romana and Professor Chronotis as Romana's uncle.<sup class="reference" id="cite_ref-segal56_176-2">[177]

[edit] "Untitled storyline (Abbott)"
Written by Paul Abbott, this episode was intended for episode 11 of Series 1.<sup class="reference" id="cite_ref-dwm360_178-0">[179] With Jack Harkness having joined the Ninth Doctor and Rose Tyler, Rose feels left out.<sup class="Template-Fact" style="white-space: nowrap;">[citation needed] But when they land in Pompeii in 79 AD,<sup class="Template-Fact" style="white-space: nowrap;">[citation needed] Jack discovers that Rose's life has been manipulated by the Doctor in an experiment to create the perfect companion.<sup class="reference" id="cite_ref-dwm360_178-1">[179] Abbot's commitment to Shameless and other projects led to him dropping out of the episode.<sup class="reference" id="cite_ref-dwm360_178-2">[179] Russell T Davies took over and wrote "Boom Town" in its place.<sup class="reference" id="cite_ref-dwm360_178-3">[179]

[edit] Tenth Doctor
For Series 2 of 2006, an untitled episode 2 set at Buckingham Palace, concerned Queen Victoria getting an alien insect in her eye.<sup class="Template-Fact" style="white-space: nowrap;">[citation needed] The setting was eventually changed to the Torchwood Estate and the alien being changed to a werewolf. For the same series, episode 11 involved a villain who has discovered how to drain things of their beauty, and has reduced his planet to a sterile grey landscape.<sup class="Template-Fact" style="white-space: nowrap;">[citation needed]

[edit] "Untitled 1920s storyline"
The revived Doctor Who series was to feature a script by Stephen Fry, set in the 1920s. Rumours appeared on the BBC's websites shortly after the airing of the new Series 1<sup class="reference" id="cite_ref-fryrumours_179-0">[180] and the story was pencilled in as the tenth episode of Series 2.<sup class="reference" id="cite_ref-bhott_lostmq_49-36">[50] According to a video diary entry by David Tennant, Fry attended the very first cast read-through for Series 2, indicating that his script was still under consideration at that point.<sup class="reference" id="cite_ref-180">[181] Due to budgetary constraints, the episode was moved to Series 3 and replaced by Fear Her. The story was subsequently abandoned, as Fry did not have spare time<sup class="reference" id="cite_ref-frytime_181-0">[182] for the rewriting necessary to replace Rose with Martha.<sup class="reference" id="cite_ref-bhott_lostmq_49-37">[50] Fry said, "They asked me to do a series and I tried, but I just ran out of time, and so I wrote a pathetic letter of "I'm sorry I can't do this" to Davies."<sup class="reference" id="cite_ref-182">[183]

[edit] Century House
A "companion-lite" episode, Century House was written by Tom MacRae for Series 3 of the revised show.<sup class="reference" id="cite_ref-bhott_lostaf_11-46">[12] The Doctor was to appear on a live broadcast of Most Haunted, investigating a house haunted by the "Red Widow", with Martha Jones watching at home as a framing device. The episode did not fit into the production schedule, and was reworked such that the show was watched by Donna Noble and her mother Sylvia. Due to dissatisfaction with the premise, and to avoid two comedic episodes in the same series, the episode was dropped and replaced with Davies' Midnight.<sup class="reference" id="cite_ref-bhott_lostaf_11-47">[12]

[edit] The Suicide Exhibition
During the Second World War, a Nazi task force assaults the Natural History Museum in London, which has been overrun by monsters. Later action would have involved the discovery of a secret chamber beneath the museum.<sup class="Template-Fact" style="white-space: nowrap;">[citation needed] This episode was written by Mark Gatiss and planned to air in the fourth series of Doctor Who, but was replaced by The Fires of Pompeii.<sup class="Template-Fact" style="white-space: nowrap;">[citation needed] Elements of the story were later reused in Steven Moffat's The Big Bang, the finale of Series 5.

[edit] "Untitled 2008 Christmas special"
On Christmas Eve, an alien creature attaches itself to author J.K. Rowling. Suddenly, the real world is replaced by a magical reality influenced by the writer's own imagination. The Doctor must battle witches and wizards to reach Rowling and put the world to rights. David Tennant said that a Harry Potter spoof was too unprofesssional for Doctor Who and refused to act in it. Instead The Next Doctor was made. The Next Doctor conntained elements of the Harry Potter crossover .<sup class="reference" id="cite_ref-183">[184]

[edit] A Midwinter's Tale
A grandmother is trapped in a posh hotel with her unruly family. Wishing that they'd all just disappear, she storms out of their suite to fetch some ice, only to find the corridors deserted. Returning to her rooms, she discovers that her family has indeed disappeared—but so has all of humanity. Finally, she comes upon the TARDIS and the Doctor. Investigating, they discover eight-legged centaur-like creatures abroad in London. It transpires that aliens from another dimension, the Shi'ar, have frozen time on Earth in order to hold a festival celebrating the marriage of their queen. The life of the grandmother's family becomes endangered, culminating in a race through secret tunnels beneath Buckingham Palace.<sup class="Template-Fact" style="white-space: nowrap;">[citation needed]

[edit] Television spin-offs
During its run, several Doctor Who spin-offs have been proposed, including one featuring Professor George Litefoot and Henry Gordon Jago from The Talons of Weng Chiang,<sup class="reference" id="cite_ref-litefootjago_184-0">[185] and a children's show featuring "Young Doctor Who" which was vetoed by Russell T Davies and replaced by The Sarah Jane Adventures.<sup class="reference" id="cite_ref-insidestory_185-0">[186] The following is the remainder of the proposed but eventually cancelled spin-off productions of the series:

[edit] The Daleks
On 1 November 1966,<sup class="reference" id="cite_ref-dwmse4b_29-4">[30] Dalek creator Terry Nation pitched a spin-off series The Daleks<sup class="reference" id="cite_ref-dwmse4b_29-5">[30] to the BBC, writing a 30-minute teleplay entitled The Destroyers<sup class="reference" id="cite_ref-dwmse4b_29-6">[30] as a possible pilot episode for an American co-production.<sup class="reference" id="cite_ref-dwmse4b_29-7">[30] The Daleks was to have focused on the adventures of the SSS.<sup class="reference" id="cite_ref-dwmse4b_29-8">[30] Lead characters included agents Captain Jack Corey, David Kingdom, his sister Sara Kingdom, and an android named Mark Seven.<sup class="reference" id="cite_ref-dwmse4b_29-9">[30] On 22 November 1966,<sup class="reference" id="cite_ref-dwmse4c_28-8">[29] the BBC informed Nation that they were no longer interested in the project.<sup class="reference" id="cite_ref-dwmse4c_28-9">[29] It was later adapted by Nicholas Briggs & John Dorney for Big Finish's The Lost Stories range in December 2010.

[edit] "Nelvana cartoon series"
Concept art of the planned Doctor Who animated series by NelvanaIn the 1980s, a cartoon series was planned by Canadian animation house Nelvana<sup class="Template-Fact" style="white-space: nowrap;">[citation needed] which was to feature an unspecified Doctor incorporating elements of various BBC series Doctors.<sup class="Template-Fact" style="white-space: nowrap;">[citation needed] Concept art was prepared depicting several possible versions of the Doctor as well as K-9, an unnamed companion, Daleks, Cybermen and few new characters but the project did not proceed further and no pilot was produced.<sup class="reference" id="cite_ref-186">[187]

[edit] K-9 and Company
Main article: K-9 and CompanyElisabeth Sladen was approached to return to Doctor Who as Sarah Jane Smith to help with the transition between Tom Baker and Peter Davison, but resisted the offer.<sup class="reference" id="cite_ref-k9guide_187-0">[188] Following the outcry after K-9 was removed from the show, producer John Nathan-Turner proposed a spin-off featuring the two characters.<sup class="reference" id="cite_ref-k9guide_187-1">[188] A single episode, "A Girl's Best Friend", was produced as a pilot for a proposed series, and broadcast by BBC1 as a Christmas special on 28 December 1981, but the series was not taken up. The basic premise of a series centered on Sarah Jane Smith was reused in the Sarah Jane Smith audio series and in The Sarah Jane Adventures just over 25 years later.

[edit] Rose Tyler: Earth Defence
When it was decided that Billie Piper would leave the series at the end of Series 2, executive producer and head writer Russell T Davies considered giving her character Rose Tyler her own 90-minute spin-off production, Rose Tyler: Earth Defence,<sup class="Template-Fact" style="white-space: nowrap;">[citation needed] with the possibility of such a special becoming an annual Bank Holiday event.<sup class="Template-Fact" style="white-space: nowrap;">[citation needed] The special would have picked up from Rose's departure in Doomsday in which Rose joins the Torchwood Institute of a parallel Earth.<sup class="Template-Fact" style="white-space: nowrap;">[citation needed] The special was officially commissioned by Peter Fincham, the Controller of BBC One, and assigned a production budget.<sup class="Template-Fact" style="white-space: nowrap;">[citation needed] Davies changed his mind while filming Piper's final scenes for Series 2 of Doctor Who, later calling Earth Defence "a spin-off too far"<sup class="Template-Fact" style="white-space: nowrap;">[citation needed] and deciding that for the audience to be able to see Rose when the Doctor could not would spoil the ending of Doomsday, and the production was cancelled.<sup class="Template-Fact" style="white-space: nowrap;">[citation needed] Davies said Piper had been told about the idea, but the project ended before she was formally approached about starring in it.<sup class="reference" id="cite_ref-188">[189] The plot element of Tyler working with Torchwood to defend the earth would be revisited towards the end of Series 4 in 2008.

[edit] Proposed films
In the mid-1960s, two motion pictures starring Peter Cushing were produced based upon the television series. Since then, there have been periodic further attempts to adapt Doctor Who as a feature film.

[edit] Doctor Who Meets Scratchman
An artist's impression of a poster for Doctor Who Meets Scratchman. Featured in Doctor Who Magazine #379, artwork by Brian WilliamsonDuring spare time in filming, Tom Baker and Ian Marter (who played Harry Sullivan in the series and later novelised several Doctor Who scripts for Target Books) wrote a script for a Doctor Who film, Doctor Who meets Scratchman. The script, sometimes titled Doctor Who and the Big Game,<sup class="reference" id="cite_ref-189">[190] saw the Doctor encounter the Daleks, meet the Devil known as Harry Scratch or Scratchman, robots known as Cybors, scarecrows made from bones, the Greek god Pan, and at times Vincent Price and Twiggy were associated with the production to play as the villain Harry Scratch and a possible new female companion after Elisabeth Sladen left the TV series.<sup class="reference" id="cite_ref-dwm379_190-0">[191] The finale of the film was to have taken place on a giant pinball table, with the Doctor, Harry and Sarah dodging balls as well as battling Daleks on the board. During his tenure as the Fourth Doctor, Baker repeatedly tried to attract funding for the film. At one point, he received substantial donations from fans, but after taking legal advice was forced to return them. The plans were eventually dropped.<sup class="reference" id="cite_ref-dwm379_190-1">[191]

[edit] Doctor Who and the Krikkitmen
During the Fourth Doctor era, future Doctor Who script editor Douglas Adams submitted this story in 1976<sup class="reference" id="cite_ref-bhott_lostgl_0-31">[1] before later preparing it as a submission for a Doctor Who film, Doctor Who and the Krikkitmen.<sup class="reference" id="cite_ref-dontpanic_191-0">[192] Elements of Krikkitmen were used in the Key to Time story arc, for which Adams wrote a story, and Krikkitmen was reworked as the third Hitchhiker's Guide to the Galaxy book Life, the Universe and Everything.<sup class="reference" id="cite_ref-dontpanic_191-1">[192]

[edit] Lacuna film proposals (1987-1994)
As the original Doctor Who series was nearing its end and continuing during the first interregnum (1989–1996), numerous attempts were made to adapt the series for the big screen for the first time since the Peter Cushing films of the 1960s. Jean-Marc Lofficier, in his book The Nth Doctor, profiles a number of film proposals, some of which came close to being produced. Ultimately, however, the only film version of Doctor Who (other than the two Cushing films) produced to date has been the 1996 made-for-TV film which was developed as a continuation of the TV series rather than a reboot or reimagining of the concept.<sup class="reference" id="cite_ref-nthdoctor_192-0">[193] At one point, the film had the full working title, Doctor Who: The Last of the Time Lords. Among the script proposals profiled by Lofficier are several submissions by Space: 1999 alumnus Johnny Byrne, plus others by Robert DeLaurentis, Adrian Rigelsford, John Leekley, Mark Ezra and Denny Martin Flinn.<sup class="reference" id="cite_ref-nthdoctor_192-1">[193]

[edit] "Dr. Who radio series"
During the late sixties, a radio series starring Peter Cushing as Dr. Who from the Dalek films had been planned to be produced. A collaboration between Stanmark Productions and Watermill Productions, a pilot had been recorded and a further 52 episodes were to be produced. The pilot story titled Journey into Time featured Doctor Who and his granddaughter travel to the time of the American Revolution. The script was written by future television series writer Malcolm Hulke and the recording remains lost.<sup class="reference" id="cite_ref-193">[194]

[edit] War World
Proposed stage play written by Andrew Cartmel & Ben Aaronovitch.<sup class="Template-Fact" style="white-space: nowrap;">[citation needed]

[edit] See also

 * Doctor Who: The Lost Stories

[edit] References
Bailey, Shaun (Producer); Kalangis, Johnny (Director) (2004) (QuickTime or Windows Media).  The Planet of the Doctor, Part 6: Doctor Who & Culture II  (Documentary). Toronto: CBC Television. http://www.cbc.ca/planetofthedoctor/videos.html#. Retrieved 9 April 2009. "Planet of the Doctor". CBC Television. http://www.cbc.ca/planetofthedoctor/tb_gallery.html. Retrieved 9 April 2009. <sup class="noprint Inline-Template"> [dead link]
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[edit] Bibliography

 * BBC News (2005),  Fry in talks to write Doctor Who , London: BBC News Online (published 2005-06-24), http://news.bbc.co.uk/1/hi/entertainment/tv_and_radio/4620407.stm, retrieved 2007-02-27.
 * BBC News (2006),  Doctor Who spin-off 'cancelled' , London: BBC News Online (published 2006-08-21), http://news.bbc.co.uk/1/hi/entertainment/5271054.stm, retrieved 2006-08-21.
 * Bignell, Richard, ed. (2012), "Hayles Storm", Nothing at the End of the Lane 3 (published 2012-01).
 * Bignell, Richard, ed. (2012b), "Illuminating The Dark Dimension", Nothing at the End of the Lane 3 (published 2012-01).
 * Farhi, Moris (2009), Farewell Great Macedon, no city: Nothing at the End of the Lane, no ISBN.
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